{"version":"1.0","provider_name":"","provider_url":"https:\/\/www.deberes.net\/tesis","author_name":"deberes","author_url":"https:\/\/www.deberes.net\/tesis\/author\/infouniversidad\/","title":"Formas de inmovilidad en la imagen cinematogr\u00e1fica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"66i63N4emB\"><a href=\"https:\/\/www.deberes.net\/tesis\/semiologia\/formas-de-inmovilidad-en-la-imagen-cinematografica\/\">Formas de inmovilidad en la imagen cinematogr\u00e1fica<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.deberes.net\/tesis\/semiologia\/formas-de-inmovilidad-en-la-imagen-cinematografica\/embed\/#?secret=66i63N4emB\" width=\"600\" height=\"338\" title=\"\u00abFormas de inmovilidad en la imagen cinematogr\u00e1fica\u00bb \u2014 \" data-secret=\"66i63N4emB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>\n","description":"Formas de inmovilidad en la imagen cinematogr\u00e1fica tesis doctoral de Jorge Oter Gonzalez. Tesis doctoral de Jorge Oter Gonzalez La consideraci\u00f3n extendida de que el cine es el \u00c2\u00bfarte del movimiento\u00c2\u00bf ha granjeado un aire de contradicci\u00f3n a un. Tesis sobre Cinematografia, Historia del arte, Pa\u00eds vasco\/euskal herriko unibertsitatea, Semiolog\u00eda"}