{"id":100089,"date":"2018-03-11T10:21:28","date_gmt":"2018-03-11T10:21:28","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-pintor-jose-pancetti-y-su-proyeccion-en-el-arte-social\/"},"modified":"2018-03-11T10:21:28","modified_gmt":"2018-03-11T10:21:28","slug":"el-pintor-jose-pancetti-y-su-proyeccion-en-el-arte-social","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte\/el-pintor-jose-pancetti-y-su-proyeccion-en-el-arte-social\/","title":{"rendered":"El pintor jos\u00e9 pancetti y su proyecci\u00f3n en el arte social"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Fabio Ricardo Reis De Macedo <\/strong><\/h2>\n<p>La tesis estudia la producci\u00f3n pict\u00f3rica del brasile\u00f1o jos\u00e9 pancetti (1902-1958), con una mirada no comprometida con las amarras usuales. Para comprenderla con m\u00e1s profundidad, se analiza la cuesti\u00f3n: \u00c2\u00bfla clasificaci\u00f3n como pintor marinista, imputada al artista, traduce adecuadamente su obra pict\u00f3rica? Para responderla, son se\u00f1aladas y debatidas las incursiones del pintor en los g\u00e9neros y escuelas por las que pas\u00f3, relacion\u00e1ndolos con sus influencias, a fin de proporcionar elementos para un an\u00e1lisis de apoyo m\u00e1s fundamental jam\u00e1s habido sobre el pintor, cuya fuente m\u00e1s fiable es su propia obra. Los cambios socioculturales de la primera mitad del siglo xx en brasil son debatidos a la luz de esquemas metodol\u00f3gicos desarrollados por algunos de sus m\u00e1s importantes autores, pero buscando en sus entrelineas una comprensi\u00f3n m\u00e1s all\u00e1 de su formulario. Con base en esta literatura y matiz\u00e1ndola con relatos de figuras remanentes de este momento, fue posible enfocar las acciones art\u00edsticas desarrolladas por el n\u00facleo bernardelli, el cual integr\u00f3 pancetti, en la formulaci\u00f3n del arte moderno brasile\u00f1o. La investigaci\u00f3n verifica que el pintor ha recorrido un largo camino para edificar su obra, realizando avances y retrocesos, derivados de la propia condici\u00f3n del artista al colocarse ante los obst\u00e1culos que le imponen el arte de la pintura. El an\u00e1lisis revela la preocupaci\u00f3n social y cultural, y el car\u00e1cter de la brasilidad que asoman en la obra del pintor, donde se concluye, que la expresividad y la simplicidad son las claves predominantes en su po\u00e9tica. De este modo, la pluralidad y heterogeneidad circunscriben su obra, apartando, por tanto, el estereotipo de pintor marinista, contribuyendo a un mayor y mejor (re)conocimiento de dicha obra pict\u00f3rica, reclam\u00e1ndole otra dimensi\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El pintor jos\u00e9 pancetti y su proyecci\u00f3n en el arte social<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El pintor jos\u00e9 pancetti y su proyecci\u00f3n en el arte social <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Fabio Ricardo Reis De Macedo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 29\/03\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Domingo Oliver Rubio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rafael S\u00e1nchez-carralero l\u00f3pez <\/li>\n<li>Antonio Garc\u00eda l\u00f3pez (vocal)<\/li>\n<li>Fernando Picornell cantero (vocal)<\/li>\n<li>Mar\u00eda antonia G\u00f3mez rodrigo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fabio Ricardo Reis De Macedo La tesis estudia la producci\u00f3n pict\u00f3rica del brasile\u00f1o jos\u00e9 pancetti (1902-1958), con [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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