{"id":10149,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1996\/01\/01\/acerca-del-tiempo-y-la-memoria-hacia-una-estetica-de-la-intuicion\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"acerca-del-tiempo-y-la-memoria-hacia-una-estetica-de-la-intuicion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/acerca-del-tiempo-y-la-memoria-hacia-una-estetica-de-la-intuicion\/","title":{"rendered":"Acerca del tiempo y la memoria. hacia una estetica de la intuicion."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Plaza Muller Elsa Genoveva <\/strong><\/h2>\n<p>Hay momentos en los que, de pronto, un objeto trasciende su puro aparecer para constituirse en un interrogante.  estos \u00abinstantes fecundos\u00bb, segun los define bachelard, pueden derivar en un proceso que, a traves de la libre asociacion de ideas, crea una temporalidad subjetiva, distinta de la cotidiana, a la cual podemos denominar tiempo de la imaginacion. Este se caracteriza por su riqueza en metaforas y analogias pudiendo, de este modo, culminar en la creacion artistica.  asi, las imagenes que nos constituyen ontologicamente, llamadas a asociarse en un instante azaroso con una imagen presente, pueden provocar por su carga afectiva un placer estetico que invita a la creacion de una \u00absegunda naturaleza\u00bb, que segun define kant, incita a pensar mucho, lo cual caracteriza a toda idea estetica.  de este modo, intuicion es esa idea-luz, fuente inagotable de conocimiento, que surge en el momento en el que el \u00abmisterio\u00bb de un objeto comienza a plantearse como problema.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Acerca del tiempo y la memoria. hacia una estetica de la intuicion.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Acerca del tiempo y la memoria. hacia una estetica de la intuicion. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Plaza Muller Elsa Genoveva <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pere Salabert Sole<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Inmaculada Juli\u00e1n Gonz\u00e1lez <\/li>\n<li>Ignasi Terradas Saborit (vocal)<\/li>\n<li>Raul Gabas Pallas (vocal)<\/li>\n<li>Antonio Escartin Siquier (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Plaza Muller Elsa Genoveva Hay momentos en los que, de pronto, un objeto trasciende su puro aparecer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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