{"id":10163,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1996\/01\/01\/metaficcion-y-autorreferencia-en-la-novela-espanola-de-vanguardia\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"metaficcion-y-autorreferencia-en-la-novela-espanola-de-vanguardia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/metaficcion-y-autorreferencia-en-la-novela-espanola-de-vanguardia\/","title":{"rendered":"Metaficcion y autorreferencia en la novela espa\u00f1ola de vanguardia."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Rodenas De Moya Domingo <\/strong><\/h2>\n<p>La metaficcion es un tipo de discurso literario ficcional que, ademas de construir un universo imaginario, desvela la condicion artificiosa de ese constructo discursivo.  cabe distinguir tres tipos metafictivos generales: la metaficcion discursiva, que ata\u00f1e a la esfera de la enunciacion; la metaficcion diegetica, que concierne al mundo ficcional representado, y la metaficcion metaleptica, en la que se ponen en contacto los dos ambitos ontologicos anteriores.  la novela de vanguardia espa\u00f1ola manifiesta una acusada tendencia a la autorreferencia literaria que la singulariza en el marco del modernismo euroamericano. En este prepondera una dominante epistemologica que tambien halla eco en la expresion espa\u00f1ola de ese movimiento, pero en esta queda subordinada ante una \u00abdominancia\u00bb ontologica: la autorreferencia se centra en el conflicto entre arte\/vida, ficcion\/realidad. Ello se muestra en la obra de benjamin jarnes, antonio espina, mauricio bacarisse y mario verdaguer.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Metaficcion y autorreferencia en la novela espa\u00f1ola de vanguardia.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Metaficcion y autorreferencia en la novela espa\u00f1ola de vanguardia. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Rodenas De Moya Domingo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Lu\u00eds Izquierdo Salvador<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Adolfo Sotelo V\u00e1zquez <\/li>\n<li>Jos\u00e9 Mar\u00eda Pozuelo Yvancos (vocal)<\/li>\n<li>Miguel \u00e1ngel Garrido Gallardo (vocal)<\/li>\n<li>Dolors Oller Rovira (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rodenas De Moya Domingo La metaficcion es un tipo de discurso literario ficcional que, ademas de construir [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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