{"id":101631,"date":"2018-03-11T10:23:33","date_gmt":"2018-03-11T10:23:33","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/extensiones-corporales-en-el-contexto-del-body-art-revolucion-del-deseo\/"},"modified":"2018-03-11T10:23:33","modified_gmt":"2018-03-11T10:23:33","slug":"extensiones-corporales-en-el-contexto-del-body-art-revolucion-del-deseo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/extensiones-corporales-en-el-contexto-del-body-art-revolucion-del-deseo\/","title":{"rendered":"Extensiones corporales en el contexto del body art. revoluci\u00f3n del deseo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Agust\u00edn Albero Teijeiro <\/strong><\/h2>\n<p>Tras la revoluci\u00f3n industrial la m\u00e1quina fue adoptada como epicentro de las pr\u00e1cticas art\u00edsticas del siglo xx. Esta fusi\u00f3n con lo popular cre\u00f3 la ecuaci\u00f3n arte = vida y, con ello, lo corporal se transform\u00f3 en una manera de reflexionar sobre las repercusiones que la t\u00e9cnica inflig\u00eda en el cuerpo y su papel en la sociedad.   tras la segunda guerra mundial el cuerpo y su representaci\u00f3n quedaron ocultos hasta que ciertos sectores sintieron que no pod\u00edan seguir aceptando un contenido cultural desideologizado. A finales de la d\u00e9cada de 1950 se reemprendi\u00f3 la acci\u00f3n corporal en la pr\u00e1ctica art\u00edstica como un lenguaje necesario para atacar la ideolog\u00eda burguesa.  llegamos al a\u00f1o 1968, fecha en la que se despert\u00f3 la conciencia social contra el totalitarismo y en la que el cuerpo recuper\u00f3 su categor\u00eda. La performance se transform\u00f3 en el lenguaje m\u00e1s apropiado para representar los nuevos valores. Poco a poco se consolidaba un concepto de arte sociol\u00f3gico que defend\u00eda la integraci\u00f3n del cuerpo en el proceso creativo, surgiendo as\u00ed el body art.   sin embargo, algunos y algunas artistas, insatisfechos con una exploraci\u00f3n del cuerpo de raigambre materialista, adoptaron elementos configuradores de la corporeidad tales como vestidos, complementos y objetos de diversa naturaleza. Aquel inter\u00e9s que los y las artistas de vanguardia mostraron por la tecnolog\u00eda se hab\u00eda transformado en otra de distinta naturaleza que cumpl\u00eda las mismas funciones que la m\u00e1quina adquiri\u00f3 a principios de siglo xx: la de \u00c2\u00abextensi\u00f3n corporal\u00c2\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Extensiones corporales en el contexto del body art. revoluci\u00f3n del deseo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Extensiones corporales en el contexto del body art. revoluci\u00f3n del deseo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Agust\u00edn Albero Teijeiro <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/06\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>David P\u00e9rez Rodrigo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  vicente Aliaga espert <\/li>\n<li>xos\u00e9 Manuel Bux\u00e1n bran (vocal)<\/li>\n<li>pedro Ortu\u00f1o mengual (vocal)<\/li>\n<li>Jes\u00fas Mart\u00ednez oliva (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Agust\u00edn Albero Teijeiro Tras la revoluci\u00f3n industrial la m\u00e1quina fue adoptada como epicentro de las pr\u00e1cticas art\u00edsticas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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