{"id":101732,"date":"2018-03-11T10:23:38","date_gmt":"2018-03-11T10:23:38","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/materializacion-de-la-memoria-escritura-y-fotografa%c2%ada-como-representacion-de-la-experiencia-del-viaje-en-el-siglo-xix\/"},"modified":"2018-03-11T10:23:38","modified_gmt":"2018-03-11T10:23:38","slug":"materializacion-de-la-memoria-escritura-y-fotografa%c2%ada-como-representacion-de-la-experiencia-del-viaje-en-el-siglo-xix","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sociologia-de-la-literatura\/materializacion-de-la-memoria-escritura-y-fotografa%c2%ada-como-representacion-de-la-experiencia-del-viaje-en-el-siglo-xix\/","title":{"rendered":"Materializaci\u00f3n de la memoria. escritura y fotograf\u00edacomo representaci\u00f3n de la experiencia del viaje en el siglo xix"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ana Paula S\u00e1nchez Cardona <\/strong><\/h2>\n<p>El presente estudio trata de la fotograf\u00eda y escritura del viaje como formas de representaci\u00f3n de la memoria durante el siglo xix, espec\u00edficamente entre las d\u00e9cadas de 1840 y 1880. Se atienden los procesos de consignaci\u00f3n de la memoria de la experiencia del viaje desde las perspectivas de recepci\u00f3n y producci\u00f3n. Las representaciones visuales y textuales son testimonios de una experiencia extrema en la que se ponen en juego diversos filtros para la construcci\u00f3n cultural del otro y de s\u00ed mismo. Estas representaciones se ven materializadas en la forma arquet\u00edpica del libro. La concepci\u00f3n de la fotograf\u00eda como una representaci\u00f3n de la naturaleza por contacto encuentra en el libro su configuraci\u00f3n e identidad, de manera que las primeras ediciones de libros fotogr\u00e1ficos llevan consigo la impronta de la verdad de la naturaleza y el conocimiento del mundo desvelado al hombre. De ah\u00ed la pertinencia del dispositivo fotogr\u00e1fico dentro de la historia de la ciencia. La escritura del viaje ser\u00e1 entendida no como g\u00e9nero literario sino como formas de asimilar y representar el viaje. La fotograf\u00eda ser\u00e1 estudiada no desde la linealidad hist\u00f3rica sino desde los discursos culturales partiendo de nociones como identidad y otredad. Se abordar\u00e1 de manera detallada la experiencia de cuatro viajeros: maxime du camp, john thomson, william bradford y arthur rimbaud. Ellos a trav\u00e9s de la imagen fotogr\u00e1fica y del texto construyeron su testimonio.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Materializaci\u00f3n de la memoria. escritura y fotograf\u00edacomo representaci\u00f3n de la experiencia del viaje en el siglo xix<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Materializaci\u00f3n de la memoria. escritura y fotograf\u00edacomo representaci\u00f3n de la experiencia del viaje en el siglo xix <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ana Paula S\u00e1nchez Cardona <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pompeu fabra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/06\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Michael Pfeiffer<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Ans\u00f3n anad\u00f3n <\/li>\n<li>anna Montan\u00e9 forast\u00e9 (vocal)<\/li>\n<li>Mar\u00eda de los santos Garc\u00eda  felguera (vocal)<\/li>\n<li>teresa Camps  mir\u00f3 (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ana Paula S\u00e1nchez Cardona El presente estudio trata de la fotograf\u00eda y escritura del viaje como formas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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