{"id":101847,"date":"2018-03-11T10:23:47","date_gmt":"2018-03-11T10:23:47","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-postgraffiti-su-escenario-y-sus-raa%c2%adces-graffiti-punk-skate-y-contrapublicidad\/"},"modified":"2018-03-11T10:23:47","modified_gmt":"2018-03-11T10:23:47","slug":"el-postgraffiti-su-escenario-y-sus-raa%c2%adces-graffiti-punk-skate-y-contrapublicidad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-postgraffiti-su-escenario-y-sus-raa%c2%adces-graffiti-punk-skate-y-contrapublicidad\/","title":{"rendered":"El postgraffiti, su escenario y sus ra\u00edces: graffiti, punk, skate y   contrapublicidad."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Javier Abarca Sanchis <\/strong><\/h2>\n<p>El presente trabajo describe y analiza la corriente artistica del postgraffiti. Para ello, describe y analiza las principales corrientes de cultura popular que le han dado origen: la contrapublicidad, el punk, el skate y el graffiti.  describe los me canismos internos de las mencionadas corrientes, su funcionamiento y su l\u00f3gica, de forma que cada una de ellas se pueda entender y apreciar en sus propios t\u00e9rminos. Prentende as\u00ed consituir un esquema te\u00f3rico que facilite estudios ulteriores en un cam po de producci\u00f3n cultural cuya cartograf\u00eda es a\u00fan confusa.  analiza adem\u00e1s, primero, las formas en que la actuaci\u00f3n independiente en el espacio p\u00fablico afecta al proceso creativo, y, despu\u00e9s, las formas en que el arte p\u00fablico independiente afecta al entorno social.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El postgraffiti, su escenario y sus ra\u00edces: graffiti, punk, skate y   contrapublicidad.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El postgraffiti, su escenario y sus ra\u00edces: graffiti, punk, skate y   contrapublicidad. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Javier Abarca Sanchis <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/06\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Agust\u00edn Mart\u00edn Franc\u00e9s<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Ruiz massip <\/li>\n<li>Francisco Javier Ma\u00f1ero rodicio (vocal)<\/li>\n<li>Jes\u00fas pedro Lorente lorente (vocal)<\/li>\n<li>alfonso Ruiz rallo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Javier Abarca Sanchis El presente trabajo describe y analiza la corriente artistica del postgraffiti. Para ello, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[79396,26197,206853,148492,200440,6696],"class_list":["post-101847","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-agustin-martin-frances","tag-alfonso-ruiz-rallo","tag-francisco-javier-abarca-sanchis","tag-francisco-javier-manero-rodicio","tag-jesus-pedro-lorente-lorente","tag-miguel-ruiz-massip"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/101847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=101847"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/101847\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=101847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=101847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=101847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}