{"id":101934,"date":"2018-03-11T10:23:57","date_gmt":"2018-03-11T10:23:57","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-fauces-de-dracula-iconologa%c2%ada-del-mito-vampa%c2%adrico-en-occidente-desde-sus-ora%c2%adgenes-hasta-el-cine-de-la-universal\/"},"modified":"2018-03-11T10:23:57","modified_gmt":"2018-03-11T10:23:57","slug":"las-fauces-de-dracula-iconologa%c2%ada-del-mito-vampa%c2%adrico-en-occidente-desde-sus-ora%c2%adgenes-hasta-el-cine-de-la-universal","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte\/las-fauces-de-dracula-iconologa%c2%ada-del-mito-vampa%c2%adrico-en-occidente-desde-sus-ora%c2%adgenes-hasta-el-cine-de-la-universal\/","title":{"rendered":"Las fauces de dr\u00e1cula. iconolog\u00eda del mito vamp\u00edrico en occidente, desde sus or\u00edgenes hasta el cine de la universal"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Antonio  Javier Olveira Nieto <\/strong><\/h2>\n<p>T\u00edtulo de la tesis: las fauces de dr\u00e1cula. Iconolog\u00eda del mito vamp\u00edrico en occidente, desde sus or\u00edgenes hasta el cine de la universal resumen: la tesis indaga en las ra\u00edces iconol\u00f3gicas del vampiro, uno de los mitos contempor\u00e1neos m\u00e1s representativos de la cultura universal del siglo xx. Invento literario del romanticismo, se escudri\u00f1an las fuentes geneal\u00f3gicas de vampiro y vampira; en primer lugar a trav\u00e9s del folclore, la mitolog\u00eda y la antropolog\u00eda, despu\u00e9s en literatura, artes pl\u00e1sticas y cine hasta principios del siglo xx, cuando la forma del no-muerto asienta su imaginer\u00eda y se populariza a trav\u00e9s de los medios ic\u00f3nicos de masas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las fauces de dr\u00e1cula. iconolog\u00eda del mito vamp\u00edrico en occidente, desde sus or\u00edgenes hasta el cine de la universal<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las fauces de dr\u00e1cula. iconolog\u00eda del mito vamp\u00edrico en occidente, desde sus or\u00edgenes hasta el cine de la universal <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Antonio  Javier Olveira Nieto <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/06\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda  Teresa Mendez Baiges<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: erika Bornay campoamor <\/li>\n<li>Francisco Juan Garc\u00eda g\u00f3mez (vocal)<\/li>\n<li>Jos\u00e9 Carlos Su\u00e1rez fern\u00e1ndez (vocal)<\/li>\n<li>Carlos alfonso Cuellar alejandro (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Antonio Javier Olveira Nieto T\u00edtulo de la tesis: las fauces de dr\u00e1cula. Iconolog\u00eda del mito vamp\u00edrico en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1014,7834],"tags":[206987,94900,194157,102820,34093,41729],"class_list":["post-101934","post","type-post","status-publish","format-standard","hentry","category-historia-del-arte","category-malaga","tag-antonio-javier-olveira-nieto","tag-carlos-alfonso-cuellar-alejandro","tag-erika-bornay-campoamor","tag-francisco-juan-garcia-gomez","tag-jose-carlos-suarez-fernandez","tag-maria-teresa-mendez-baiges"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/101934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=101934"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/101934\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=101934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=101934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=101934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}