{"id":102328,"date":"2010-01-07T00:00:00","date_gmt":"2010-01-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-teatro-de-calderon-la-antropologa%c2%ada-de-rene-girard-y-el-triunfo-de-la-eucarista%c2%ada-claves-catolicas-para-una-reescritura-de-la-modernidad-en-la-vida-es-sueno\/"},"modified":"2010-01-07T00:00:00","modified_gmt":"2010-01-07T00:00:00","slug":"el-teatro-de-calderon-la-antropologa%c2%ada-de-rene-girard-y-el-triunfo-de-la-eucarista%c2%ada-claves-catolicas-para-una-reescritura-de-la-modernidad-en-la-vida-es-sueno","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pontificia-de-salamanca\/el-teatro-de-calderon-la-antropologa%c2%ada-de-rene-girard-y-el-triunfo-de-la-eucarista%c2%ada-claves-catolicas-para-una-reescritura-de-la-modernidad-en-la-vida-es-sueno\/","title":{"rendered":"El teatro de calder\u00f3n, la antropolog\u00eda de ren\u00e9 girard y el triunfo de la eucarist\u00edaclaves cat\u00f3licas para una reescritura de la modernidad en la vida es sue\u00f1o"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Horacio Anselmo Acevedo  Gonz\u00e1lez <\/strong><\/h2>\n<p>El teatro de calder\u00f3n, la antropolog\u00eda de ren\u00e9 girard y el triunfo de la eucarist\u00eda claves cat\u00f3licas para una reescritura de la modernidad en  la vida es sue\u00f1o  esta tesis presenta una indagaci\u00f3n sobre la actualidad del teatro calderoniano, al que aborda casi exclusivamente desde la vida es sue\u00f1o, obra que permite ofrecer una perspectiva general sobre tan vasta producci\u00f3n dram\u00e1tica pues a la famosa comedia que calder\u00f3n escribi\u00f3 a sus treinta y cuatro a\u00f1os, hay que a\u00f1adir con el mismo t\u00edtulo dos autos sacramentales escritos en sus quinta y s\u00e9ptima d\u00e9cada de vida, respectivamente. aspecto fundamental de la tesis es la metodolog\u00eda de la que se sirve ya que sigue los planteamientos antropol\u00f3gicos de la teor\u00eda mim\u00e9tica de ren\u00e9 girard, teor\u00eda basada en una hip\u00f3tesis conocida como hip\u00f3tesis de la v\u00edctima propiciatoria que le lleva a proponer un nuevo umbral cient\u00edfico que aspira a la reivindicaci\u00f3n epistemol\u00f3gica de la insuperable novedad que define a la revelaci\u00f3n cristiana.  esta perspectiva permite abordar una revisi\u00f3n de los estudios sobre la comedia la vida es sue\u00f1o en el siglo xx desde una aproximaci\u00f3n al texto dram\u00e1tico que parte del estudio de las v\u00edctimas que aparecen en la obra para, desde ah\u00ed, atender a otro tipo de v\u00edctima como es el sentido mismo de la comedia, tergiversado para servir como ilustraci\u00f3n a interpretaciones po\u00e9tico-filos\u00f3ficas de una modernidad ajena a la obra.   por su lado, el estudio del auto la vida es sue\u00f1o enfrenta las dificultades que encuentra la modernidad para entender los conceptos con los que el propio d. Pedro defini\u00f3 al g\u00e9nero teatral que, al par que sacramental, es aleg\u00f3rico e historial, dificultades que tienen que ver con la exaltaci\u00f3n de la eucarist\u00eda y su triunfo como m\u00edstica alegor\u00eda en un olvidado sentido de las sagradas escrituras como es el tipol\u00f3gico o figural..<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El teatro de calder\u00f3n, la antropolog\u00eda de ren\u00e9 girard y el triunfo de la eucarist\u00edaclaves cat\u00f3licas para una reescritura de la modernidad en la vida es sue\u00f1o<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El teatro de calder\u00f3n, la antropolog\u00eda de ren\u00e9 girard y el triunfo de la eucarist\u00edaclaves cat\u00f3licas para una reescritura de la modernidad en la vida es sue\u00f1o <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Horacio Anselmo Acevedo  Gonz\u00e1lez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pontificia de salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/07\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Manuel Sanchez  Caro<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Fernando jos\u00e9 Rodr\u00edguez de la flor ad\u00e1nez <\/li>\n<li>gonzalo Tejerina arias (vocal)<\/li>\n<li>Antonio Dom\u00ednguez rey (vocal)<\/li>\n<li>ricardo Pi\u00f1ero moral (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Horacio Anselmo Acevedo Gonz\u00e1lez El teatro de calder\u00f3n, la antropolog\u00eda de ren\u00e9 girard y el triunfo de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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