{"id":10260,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1996\/01\/01\/sujeto-deseo-identidad-poder-wuthering-heights-de-emily-bronte\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"sujeto-deseo-identidad-poder-wuthering-heights-de-emily-bronte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/sujeto-deseo-identidad-poder-wuthering-heights-de-emily-bronte\/","title":{"rendered":"Sujeto, deseo, identidad, poder: \u00abwuthering heights\u00bb de emily bronte."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rafael Galan Moya <\/strong><\/h2>\n<p>Este trabajo asume que la novela de emily bronte representa una fuente de permanente confusion para la critica, no ya por su complejidad estructural o su tematica solipsista, sino particularmente porque se puede advertir en ella la reconstitucion del problema mismo de la produccion textual de significado &#8211; es decir, la operacion de una serie de estrategias narrativas y tematicas que coinciden en enfatizar el desplazamiento, la expulsion de un \u00absegundo termino\u00bb relacionado dialecticamente con aquello que el texto convierte en material novelesco, como foco de interes. Ya que ese \u00abexilio\u00bb adopta multiples formas en wuthering heights y repercute en aspectos diversos aunque conectados de su efecto significativo, se propone una lectura que, inspirada en el deconstruccionismo, el historicismo y el psicoanalisis, ilumine las siguientes areas en particular:  * la cuestion de la identidad (subjetiva y textual); * la movilizacion textual del deseo (en wuthering heights especificamente y en el contexto de la novela inglesa de los siglos xviii y xix); * la elaboracion imaginativa de las relaciones de poder (en sus vertientes intrapsiquica e intersubjetiva).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Sujeto, deseo, identidad, poder: \u00abwuthering heights\u00bb de emily bronte.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Sujeto, deseo, identidad, poder: \u00abwuthering heights\u00bb de emily bronte. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rafael Galan Moya <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 C\u00e1diz<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>doncel Hernandez Garcia<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Garcia Tortosa <\/li>\n<li>Angeles De La Concha Mu\u00f1oz (vocal)<\/li>\n<li>Mar\u00eda  Isabel Carrera Suarez (vocal)<\/li>\n<li> Dorao Ordu\u00f1a M. Asuncion (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rafael Galan Moya Este trabajo asume que la novela de emily bronte representa una fuente de permanente [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,1506,147,149,628],"tags":[34477,34476,34478,658,8939,34475],"class_list":["post-10260","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-cadiz","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-teoria-analisis-y-critica-literarios","tag-angeles-de-la-concha-munoz","tag-doncel-hernandez-garcia","tag-dorao-orduna-m-asuncion","tag-francisco-garcia-tortosa","tag-maria-isabel-carrera-suarez","tag-rafael-galan-moya"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/10260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=10260"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/10260\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=10260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=10260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=10260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}