{"id":10347,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1996\/01\/01\/mateo-inurria-y-la-escultura-espanola-de-su-tiempo\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"mateo-inurria-y-la-escultura-espanola-de-su-tiempo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/mateo-inurria-y-la-escultura-espanola-de-su-tiempo\/","title":{"rendered":"Mateo inurria y la escultura espa\u00f1ola de su tiempo."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ramon Montes Ruiz <\/strong><\/h2>\n<p>La tesis contempla el estudio biografico y artistico del escultor cordobes mateo inurria lainosa (1867, cordoba &#8211; 1924 Madrid), partiendo de una escasa bibliografia especifica existente sobre el escultor, pero de una extensa base documental y hemerografia.El resultado final de esta investigacion se expone en seis capitulos, que contienen el cuerpo biografico. En el se articulan y analizan cronologicamente las diferentes obras escultoricas, asi como sucesivos periodos estilisticos, trabajos de restauracion, docentes, y participacion en exposiciones.  el capitulo septimo recoge la pervivencia del escultor y su obra, desde su muerte hasta la actualidad. En el octavo se realiza el estudio de la extensa coleccion de dibujos del escultor, asi como su relacion con su obra escultorica.  completan el contenido de la tesis: un apartado de fuentes bibliograficas, hemerograficas y documentales; un apartado de conclusiones; un catalogo de dibujos, un catalogo de esculturas, un apendice fotografico; un apendice registral y finalmente un apendice documental.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Mateo inurria y la escultura espa\u00f1ola de su tiempo.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Mateo inurria y la escultura espa\u00f1ola de su tiempo. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ramon Montes Ruiz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 C\u00f3rdoba<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alberto Villar Movellan<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Beatriz Gavilan Ceballos <\/li>\n<li>Mar\u00eda  Del Mar Lozano Bartolozzi (vocal)<\/li>\n<li> Carballo Calero M. Victoria (vocal)<\/li>\n<li>Teresa Laguna Paul (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ramon Montes Ruiz La tesis contempla el estudio biografico y artistico del escultor cordobes mateo inurria lainosa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1624,973,104,1014,222,2073],"tags":[2075,15280,34666,19490,34665,34667],"class_list":["post-10347","post","type-post","status-publish","format-standard","hentry","category-ciencias-auxiliares-de-la-historia","category-cordoba","category-historia","category-historia-del-arte","category-historias-especializadas","category-iconografia","tag-alberto-villar-movellan","tag-beatriz-gavilan-ceballos","tag-carballo-calero-m-victoria","tag-maria-del-mar-lozano-bartolozzi","tag-ramon-montes-ruiz","tag-teresa-laguna-paul"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/10347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=10347"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/10347\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=10347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=10347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=10347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}