{"id":103799,"date":"2018-03-11T10:26:32","date_gmt":"2018-03-11T10:26:32","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-ingenieria-kansei-como-herramienta-de-analisis-de-percepciones-sonoras\/"},"modified":"2018-03-11T10:26:32","modified_gmt":"2018-03-11T10:26:32","slug":"la-ingenieria-kansei-como-herramienta-de-analisis-de-percepciones-sonoras","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/politecnica-de-valencia\/la-ingenieria-kansei-como-herramienta-de-analisis-de-percepciones-sonoras\/","title":{"rendered":"La ingenier\u00eda kansei como herramienta de an\u00e1lisis de percepciones sonoras"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Galiana Mart\u00ednez <\/strong><\/h2>\n<p>En el presente trabajo se propone un m\u00e9todo para el an\u00e1lisis y evaluaci\u00f3n de salas de audici\u00f3n musical desde un punto de vista orientado al usuario. Tradicionalmente, en este campo de estudio siempre se ha trabajado desde la perspectiva del colectivo experto. la metodolog\u00eda de trabajo se ha basado en la sem\u00e1ntica diferencial y la ingenier\u00eda kansei. Mediante estas herramientas se ha desarrollado una sistem\u00e1tica para el an\u00e1lisis de las percepciones de salas de audici\u00f3n musical, tanto desde su vertiente ac\u00fastica como arquitect\u00f3nica. A partir de la identificaci\u00f3n de los atributos percibidos por el usuario seg\u00fan su propio esquema conceptual, se ha establecido la contribuci\u00f3n de cada atributo a la valoraci\u00f3n global percibida. De este modo, se evita el inconveniente de que los par\u00e1metros queden determinados exclusivamente por expertos y se orienta el estudio al usuario. As\u00ed, podr\u00e1 emplearse para la definici\u00f3n de las caracter\u00edsticas de dise\u00f1o que satisfagan las percepciones, deseos y necesidades de los usuarios. como resultado del trabajo se propone una metodolog\u00eda para definir el producto sala de audici\u00f3n musical desde el enfoque ac\u00fastico y arquitect\u00f3nico y bajo la perspectiva de un colectivo experto y otro de usuarios. Los modelos obtenidos hacen posible predecir cu\u00e1l ser\u00e1 la respuesta a nivel de percepci\u00f3n de ambos colectivos ante una determinada sala de audici\u00f3n musical. Esta herramienta permitir\u00e1 optimizar las caracter\u00edsticas de dise\u00f1o de las salas al asegurar su adecuaci\u00f3n a los objetivos propuestos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La ingenier\u00eda kansei como herramienta de an\u00e1lisis de percepciones sonoras<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La ingenier\u00eda kansei como herramienta de an\u00e1lisis de percepciones sonoras <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Galiana Mart\u00ednez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/09\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>\u00e1lvaro Felipe Page Del Pozo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: hermelando Estell\u00e9s belenguer <\/li>\n<li>Carlos Pastor ant\u00f3n (vocal)<\/li>\n<li>Manuel Recuero lopez (vocal)<\/li>\n<li>jenaro Vera guarinos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Galiana Mart\u00ednez En el presente trabajo se propone un m\u00e9todo para el an\u00e1lisis y evaluaci\u00f3n de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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