{"id":104101,"date":"2010-06-10T00:00:00","date_gmt":"2010-06-10T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imaginacion-simbolica-en-la-obra-cinematografica-de-alejandro-jodorowsky\/"},"modified":"2010-06-10T00:00:00","modified_gmt":"2010-06-10T00:00:00","slug":"la-imaginacion-simbolica-en-la-obra-cinematografica-de-alejandro-jodorowsky","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imaginacion-simbolica-en-la-obra-cinematografica-de-alejandro-jodorowsky\/","title":{"rendered":"La imaginaci\u00f3n simb\u00f3lica en la obra cinematogr\u00e1fica de alejandro jodorowsky."},"content":{"rendered":"

Tesis doctoral de Diego Moldes Gonzalez <\/strong><\/h2>\n

\u00abla imaginaci\u00f3n simb\u00f3lica en la obra cinematogr\u00e1fica de alejandro jodorowsky\u00bb analiza la filmograf\u00eda del artista de origen jud\u00edo ruso-ucraniano -nacido en chile en 1929, pero afincado en francia desde 1953-, a. Jodorowsky (siete filmes; seis largome trajes y un cortometraje), realizados entre 1957 y 1990, desde la perspectiva del s\u00edmbolo y en un contexto transnacional (francia, m\u00e9xico, eeuu, india, reino unido…) Y extraterritorial. en tanto que \u00abartista total\u00bb (dramaturgo, novelista, poeta, d irector teatral, guionista de c\u00f3mics, dibujante, m\u00fasico, escultor, tarotista, psicoterapeuta…) La labor de jodorowsky como cineasta no se puede comprender en su totalidad si no se estable una conexi\u00f3n entre sus pel\u00edculas y el resto de sus manifesta ciones art\u00edsticas, incluidas t\u00e9cnicas terap\u00e9uticas de su invenci\u00f3n (validadas en el \u00e1mbito universitario de francia e hispanoam\u00e9rica) como la psicomagia y la psicogenealog\u00eda. Tambi\u00e9n se establecen nexos con el movimiento p\u00e1nico, creado en par\u00eds en 19 62 por jodorowsky, el espa\u00f1ol fernando arrabal y el franc\u00e9s de origen jud\u00edo polaco roland topor. la originalidad del cine de jodorowsky en la historia del cine y su evoluci\u00f3n est\u00e9tica est\u00e1 en haber creado una forma nueva, de matriz simb\u00f3lica, que no tiene precedentes ni sucesores, una rareza que escapa a todo g\u00e9nero o clasificaci\u00f3n sociocultural o nacional. S\u00ed se puede incluir su cine dentro del de los llamados cineastas simb\u00f3licos o trascendentales, caso de bresson, dreyer, oz\u00fa, algunas etapas de bergman, tarkovsky, cocteau, angelopoulos o malick. para el estudio de los s\u00edmbolos en el cine jodorowskiano se han empleado modelos pr\u00f3ximos a los cultural studies, al no existir un corpus cinematogr\u00e1fico espec\u00edfico lo suficientemente amplio en el campo de la simbolog\u00eda; a tal efecto se ha recurrido a simbol\u00f3logos como cirlot, durand, bachelard o, incluso, wittgenstein. entre los anexos del ap\u00e9ndice figuran documentos in\u00e9ditos de inter\u00e9s, fruto de la extensa correspondencia entre el autor de la tesis y alejandro jodorowsky. El texto se ha enriquecido adem\u00e1s con diversos encuentros, entrevistas, charlas y conferencias con jodorowsky celebradas en par\u00eds y Madrid entre llos a\u00f1os 2007 y 2010. En la presentaci\u00f3n que diego moldes hizo del libro \u00abpoes\u00eda sin fin\u00bb, alejandro jodorowsky afirm\u00f3 de esta tesis: \u00abes lo m\u00e1s completo que se ha escrito sobre mi obra cinematogr\u00e1fica.\u00bb (\u00e1mbito cultural, calle serrano 52, Madrid, 25-03-2010). el inter\u00e9s hist\u00f3rico y la vigencia art\u00edstica que hoy, m<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00abLa imaginaci\u00f3n simb\u00f3lica en la obra cinematogr\u00e1fica de alejandro jodorowsky.<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 La imaginaci\u00f3n simb\u00f3lica en la obra cinematogr\u00e1fica de alejandro jodorowsky. <\/li>\n
  • Autor:<\/strong>\u00a0 Diego Moldes Gonzalez <\/li>\n
  • Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 06\/10\/2010<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • Jos\u00e9 Luis Sanchez Noriega<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: Francisco Garc\u00eda Garc\u00eda <\/li>\n
        • Luis Fernandez colorado (vocal)<\/li>\n
        • dar\u00edo Villanueva prieto (vocal)<\/li>\n
        • alfonso M\u00e9ndiz noguero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Diego Moldes Gonzalez \u00abla imaginaci\u00f3n simb\u00f3lica en la obra cinematogr\u00e1fica de alejandro jodorowsky\u00bb analiza la filmograf\u00eda del […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[17796,3159,210557,7470,81621,69827],"class_list":["post-104101","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-alfonso-mendiz-noguero","tag-dario-villanueva-prieto","tag-diego-moldes-gonzalez","tag-francisco-garcia-garcia","tag-jose-luis-sanchez-noriega","tag-luis-fernandez-colorado"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/104101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=104101"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/104101\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=104101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=104101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=104101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}