{"id":104170,"date":"2010-08-10T00:00:00","date_gmt":"2010-08-10T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-rumba-catalana-y-el-flamenco-como-marcadores-culturales-de-los-kalos-catalanes-en-barcelona\/"},"modified":"2010-08-10T00:00:00","modified_gmt":"2010-08-10T00:00:00","slug":"la-rumba-catalana-y-el-flamenco-como-marcadores-culturales-de-los-kalos-catalanes-en-barcelona","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/etnografia-y-etnologia\/la-rumba-catalana-y-el-flamenco-como-marcadores-culturales-de-los-kalos-catalanes-en-barcelona\/","title":{"rendered":"La rumba catalana y el flamenco como marcadores culturales de los kal\u00f3s catalanes en barcelona"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda Jes\u00fas Castro  Mart\u00edn <\/strong><\/h2>\n<p>La rumba catalana es uno de los marcadores culturales principales en la construcci\u00f3n identitaria de los kal\u00f3s catalanes de barcelona, ya que configura las fronteras inter\u00e9tnicas e intra\u00e9tnicas como herramienta din\u00e1mica de las distinciones identitarias.  esta construcci\u00f3n identitaria mediante la m\u00fasica se lleva a cabo gracias a la especificidad musical rroman\u00ed que se define tanto por su capacidad de adaptaci\u00f3n de elementos formales aut\u00f3ctonos de las sociedades de acogida, como por la reinterpretaci\u00f3n y poder de transformaci\u00f3n que genera las diferenciaciones locales. la diversidad pluricultural rroman\u00ed y la variabilidad de los constructos musicales evidencian un modo no-homog\u00e9neo de construcci\u00f3n de la identidad gitano catalana que da lugar a especificidades locales al establecer distinciones entre comunidades kal\u00f3s de distintas ciudades, as\u00ed como tambi\u00e9n entre grupos familiares instalados en barrios diferenciales, como los barrios barceloneses de gr\u00ed\u00a0cia, el raval y hostafrancs. en consecuencia, la multiplicidad de las identidades musicales de los kal\u00f3s permite una autodefinici\u00f3n p\u00fablica identitaria variable entre la gitaneidad, la catalanidad, la espa\u00f1olidad e incluso un rromanipen transnacional, seg\u00fan los grupos \u00e9tnicos en acci\u00f3n y en cuyo desarrollo el constructo de rumba catalana define las fronteras \u00e9tnicas al permitir a los kal\u00f3s catalanes invertir las relaciones sociales cotidianas y trascender su escasa o nula visibilidad para obtener un reconocimiento social ante la sociedad mayoritaria paya y el resto de los subgrupos gitanos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La rumba catalana y el flamenco como marcadores culturales de los kal\u00f3s catalanes en barcelona<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La rumba catalana y el flamenco como marcadores culturales de los kal\u00f3s catalanes en barcelona <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda Jes\u00fas Castro  Mart\u00edn <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 08\/10\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep Martines Perez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel angel Berlanga fernandez <\/li>\n<li>caterina Pasqualino r\u00e9gis (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Jes\u00fas Castro Mart\u00edn La rumba catalana es uno de los marcadores culturales principales en la construcci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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