{"id":104922,"date":"2018-03-11T10:28:18","date_gmt":"2018-03-11T10:28:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-cine-la-opera-moderna-y-popular-del-stile-rappresentativo-al-underscore\/"},"modified":"2018-03-11T10:28:18","modified_gmt":"2018-03-11T10:28:18","slug":"el-cine-la-opera-moderna-y-popular-del-stile-rappresentativo-al-underscore","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sociologia\/el-cine-la-opera-moderna-y-popular-del-stile-rappresentativo-al-underscore\/","title":{"rendered":"El cine, la opera moderna y popular. del stile rappresentativo al underscore."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Antonio Sanchez Sanz <\/strong><\/h2>\n<p>\u00abla crisis de la \u00f3pera en los a\u00f1os 40 del siglo xx tiene un sentido, teniendo en cuenta que el lenguaje contempor\u00e1neo hab\u00eda llevado al espect\u00e1culo hacia el terreno del elitismo. Gran parte del p\u00fablico parti\u00f3 hacia la contemplaci\u00f3n de un nuevo espect\u00e1c ulo que ya exist\u00eda desde las d\u00e9cadas anteriores, el cine. \u00e9ste hab\u00eda evolucionado tras la inclusi\u00f3n del sonido, que le permit\u00eda tener partituras originales y acercarse al espect\u00e1culo musical esc\u00e9nico en su lenguaje y en su planteamiento.  siete pel\u00edc ulas que abarcan la producci\u00f3n cinematogr\u00e1fica entre los a\u00f1os 38 y 59 demuestran, por medio de las partituras creadas por sus compositores para las mismas, que la \u00f3pera hab\u00eda sido continuada en el espect\u00e1culo cinematogr\u00e1fico. Los compositores, de for maci\u00f3n cl\u00e1sica anterior al trabajo en cine, utilizan las t\u00e9cnicas heredadas de la \u00f3pera para crear las partituras que acompa\u00f1aban a las im\u00e1genes en un nuevo medio de expresi\u00f3n que no ten\u00eda un referente real.\u00bb<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El cine, la opera moderna y popular. del stile rappresentativo al underscore.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El cine, la opera moderna y popular. del stile rappresentativo al underscore. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Antonio Sanchez Sanz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 16\/11\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Garc\u00eda Garc\u00eda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: ubaldo Cuesta cambra <\/li>\n<li>aaron Rodriguez serrano (vocal)<\/li>\n<li>Manuel Gertrudix barrio (vocal)<\/li>\n<li>amparo Huertas  bail\u00e9n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Antonio Sanchez Sanz \u00abla crisis de la \u00f3pera en los a\u00f1os 40 del siglo xx tiene [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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