{"id":104951,"date":"2018-03-11T10:28:18","date_gmt":"2018-03-11T10:28:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-pintura-del-ultimo-barroco-en-madrid-1685-1726-de-carreno-a-palomino-el-final-del-siglo-de-oro\/"},"modified":"2018-03-11T10:28:18","modified_gmt":"2018-03-11T10:28:18","slug":"la-pintura-del-ultimo-barroco-en-madrid-1685-1726-de-carreno-a-palomino-el-final-del-siglo-de-oro","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-pintura-del-ultimo-barroco-en-madrid-1685-1726-de-carreno-a-palomino-el-final-del-siglo-de-oro\/","title":{"rendered":"La pintura del \u00faltimo barroco en Madrid (1685-1726). de carre\u00f1o a palomino. el final del siglo de oro"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Angel Aterido Fernandez <\/strong><\/h2>\n<p>T\u00edtulo: \tla pintura del \u00faltimo barroco en Madrid (1685-1726). De carre\u00f1o a palomino. El final del siglo de oro.  autor: \t\u00e1ngel manuel aterido fern\u00e1ndez   director: \talfonso emilio p\u00e9rez s\u00e1nchez  departamento de historia del arte ii (moderno) facultad  de geograf\u00eda e historia.  universidad complutense de Madrid.  resumen  el periodo de transici\u00f3n entre los siglos xvii y xviii coincide con el cambio din\u00e1stico en la monarqu\u00eda hisp\u00e1nica. Asimismo supone un momento intermedio entre las tendencias pict \u00f3ricas caracter\u00edsticas del pleno barroco en Madrid y el mayor sesgo internacional que adoptar\u00e1 a mediados del siglo xviii. En el trabajo se abordan cuatro puntos significativos para documentar y entender esos cambios en la corte, su din\u00e1mica y factor es que los propiciaron. en primer lugar se constatan las transformaciones estil\u00edsticas operadas en las d\u00e9cadas finales del reinado de carlos ii, con un estudio pormenorizado de las conexiones con otros centros art\u00edsticos europeos. A la entrada del nu evo siglo la producci\u00f3n pict\u00f3rica estaba en plena transformaci\u00f3n, si bien su desarrollo fue condicionado y reconducido desde la corte borb\u00f3nica. Mientras el segundo punto se centra en la formaci\u00f3n recibida por los pintores, recorriendo los diferentes  espacios en los que se desarroll\u00f3. Dentro de este apartado se hace hincapi\u00e9 en los conocimientos t\u00e9cnicos y los nexos de los artistas con el mundo literario madrile\u00f1o. el tercer cap\u00edtulo enfoca el colectivo de pintores desde una perspectiva social, con especial atenci\u00f3n al espacio que ocupaban en Madrid, sus condiciones de alojamiento, visibilidad social, or\u00edgenes sociales y geogr\u00e1ficos. As\u00ed como en la red de relaciones profesionales y personales que constituyeron. Finalmente en el \u00faltimo apart ado se reconstruye su presencia en la corte, tanto en los puestos destinados a los artistas como en otras plazas de diferente signo. Advirtiendo el paulatino cambio en la administraci\u00f3n art\u00edstica en \u00e9poca borb\u00f3nica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La pintura del \u00faltimo barroco en Madrid (1685-1726). de carre\u00f1o a palomino. el final del siglo de oro<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La pintura del \u00faltimo barroco en Madrid (1685-1726). de carre\u00f1o a palomino. el final del siglo de oro <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Angel Aterido Fernandez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/11\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alfonso Emilio Perez Sanchez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 manuel Cruz valdovinos <\/li>\n<li>Javier Portus perez (vocal)<\/li>\n<li>Jos\u00e9 Milicua illarramendi (vocal)<\/li>\n<li>Jes\u00fas Urrea fern\u00e1ndez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Angel Aterido Fernandez T\u00edtulo: la pintura del \u00faltimo barroco en Madrid (1685-1726). De carre\u00f1o a palomino. El [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[986,104],"tags":[190181,211890,58495,5604,24188,33884],"class_list":["post-104951","post","type-post","status-publish","format-standard","hentry","category-complutense-de-madrid","category-historia","tag-alfonso-emilio-perez-sanchez","tag-angel-aterido-fernandez","tag-javier-portus-perez","tag-jesus-urrea-fernandez","tag-jose-manuel-cruz-valdovinos","tag-jose-milicua-illarramendi"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/104951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=104951"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/104951\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=104951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=104951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=104951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}