{"id":105478,"date":"2010-09-12T00:00:00","date_gmt":"2010-09-12T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/teatro-y-compromiso-social-1975-2000-las-dramaturgias-de-jose-luis-alonso-de-santos-ferma%c2%adn-cabal-y-paloma-pedrero\/"},"modified":"2010-09-12T00:00:00","modified_gmt":"2010-09-12T00:00:00","slug":"teatro-y-compromiso-social-1975-2000-las-dramaturgias-de-jose-luis-alonso-de-santos-ferma%c2%adn-cabal-y-paloma-pedrero","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-literarios\/teatro-y-compromiso-social-1975-2000-las-dramaturgias-de-jose-luis-alonso-de-santos-ferma%c2%adn-cabal-y-paloma-pedrero\/","title":{"rendered":"Teatro y compromiso social (1975-2000). las dramaturgias de jos\u00e9 luis alonso de santos, ferm\u00edn cabal y paloma pedrero"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Luis Castro Gonz\u00e1lez <\/strong><\/h2>\n<p>El objetivo de esta tesis doctoral es el estudio literario de tres dramaturgias destacadas en el teatro espa\u00f1ol actual: las de jos\u00e9 luis alonso de santos, ferm\u00edn cabal y paloma pedrero.              se habl\u00f3 de compromiso social en la etapa de buero vallejo y alfonso sastre, durante la d\u00e9cada de los 50. Sin embargo, desde entonces, conceptos como compromiso y realismo se fueron despojando del cariz pol\u00edtico para centrarse en la reflexi\u00f3n sobre la crisis que vive el individuo en la actualidad.  \taunque los tres dramaturgos aqu\u00ed elegidos tengan algunas semejanzas en sus escrituras dram\u00e1ticas, no es raz\u00f3n suficiente para establecer relaciones entre ellos, como habitualmente se ha hecho. Alonso de santos y ferm\u00edn cabal participan en el fen\u00f3meno del teatro independiente, pero poco a poco sus creaciones se van diferenciando. Paloma pedrero aprendi\u00f3 escritura dram\u00e1tica con ferm\u00edn cabal, pero su universo dram\u00e1tico es totalmente diferente al del autor leon\u00e9s. Asimismo, aunque alguna de sus creaciones pueda tener semejanzas con bajarse al moro de alonso de santos, su mundo teatral se ha apartado mucho de \u00e9l.              el prop\u00f3sito de esta tesis doctoral es ofrecer una evoluci\u00f3n panor\u00e1mica que abarque la producci\u00f3n de tres autores que han conseguido obtener un lugar destacado en el contexto teatral espa\u00f1ol de los a\u00f1os 80. La intenci\u00f3n de este trabajo no redunda en un examen particular y aislado de la producci\u00f3n de cada uno de ellos, sino que, por el contrario, pretende abordar contenidos y fuentes de sus respectivas dramaturgias, as\u00ed como ofrecer una clasificaci\u00f3n interna de las mismas. Se estudian el g\u00e9nero, el tratamiento del espacio y el tiempo, los personajes y la recepci\u00f3n cr\u00edtica de cada obra dentro de la prensa peri\u00f3dica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Teatro y compromiso social (1975-2000). las dramaturgias de jos\u00e9 luis alonso de santos, ferm\u00edn cabal y paloma pedrero<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Teatro y compromiso social (1975-2000). las dramaturgias de jos\u00e9 luis alonso de santos, ferm\u00edn cabal y paloma pedrero <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Luis Castro Gonz\u00e1lez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/12\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rosa Navarro Dur\u00e1n<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: felipe blas Pedraza jimenez <\/li>\n<li>german Vega garcia luengos (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Luis Castro Gonz\u00e1lez El objetivo de esta tesis doctoral es el estudio literario de tres dramaturgias [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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