{"id":105951,"date":"2018-03-11T10:29:43","date_gmt":"2018-03-11T10:29:43","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/ojos-con-mucha-noche-el-ingenio-filosofico-preceptivo-en-la-configuracion-de-la-identidad-poetica-del-barroco-espanol\/"},"modified":"2018-03-11T10:29:43","modified_gmt":"2018-03-11T10:29:43","slug":"ojos-con-mucha-noche-el-ingenio-filosofico-preceptivo-en-la-configuracion-de-la-identidad-poetica-del-barroco-espanol","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-de-la-literatura\/ojos-con-mucha-noche-el-ingenio-filosofico-preceptivo-en-la-configuracion-de-la-identidad-poetica-del-barroco-espanol\/","title":{"rendered":"Ojos con mucha noche: el ingenio filos\u00f3fico-preceptivo en la  configuraci\u00f3n de la identidad po\u00e9tica del barroco espa\u00f1ol"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan  Carlos Cruz  Suarez <\/strong><\/h2>\n<p>Dentro del campo de estudio del barroco espa\u00f1ol, son muchos los textos que han abordado el asunto del ingenio. En este sentido, la obra de graci\u00e1n representa una cima en cuanto a  la pr\u00e1ctica ingeniosa como elemento esencial en la elaboraci\u00f3n del texto po\u00e9tico o ret\u00f3rico. Por ello mismo podemos afirmar que el barroco espa\u00f1ol tiene como una de sus caracter\u00edsticas fundamentales la amplificaci\u00f3n y desarrollo de estrategias conceptuosas o agudas que provienen de la exaltaci\u00f3n de la pr\u00e1ctica ingeniosa. Sirva como ejemplo paradigm\u00e1tico de esas manifestaciones las obras de g\u00f3ngora o sor juana. Ahora bien, dentro de los estudios realizados para lograr comprender y ubicar el sentido de esta praxis po\u00e9tica, generalmente encontramos dos tendencias. Por un lado, gran parte de la cr\u00edtica sit\u00faa la pr\u00e1ctica ingeniosa dentro del \u00e1mbito de la preceptiva literaria y ret\u00f3rica, quedando, por tanto, enmarcado dentro del campo de las reglas de composici\u00f3n. Por otra parte, algunos cr\u00edticos han venido realizando una afiliaci\u00f3n total de la pr\u00e1ctica ingeniosa a la de una forma de pensamiento o filosof\u00eda, una manera, por tanto, de saber y una v\u00eda acceso a un conocimiento superior. Partiendo de esta diferencia de criterios, el presente trabajo se justifica en funci\u00f3n de la necesidad de elaborar un an\u00e1lisis de ambas perspectivas para con ello poder establecer los l\u00edmites de una pr\u00e1ctica po\u00e9tica tan vinculada al barroco espa\u00f1ol. En este sentido, se realizar\u00e1 un estudio de ambas perspectivas que nos permita establecer los valores significativos que cada una de ellas representa.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Ojos con mucha noche: el ingenio filos\u00f3fico-preceptivo en la  configuraci\u00f3n de la identidad po\u00e9tica del barroco espa\u00f1ol<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Ojos con mucha noche: el ingenio filos\u00f3fico-preceptivo en la  configuraci\u00f3n de la identidad po\u00e9tica del barroco espa\u00f1ol <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan  Carlos Cruz  Suarez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/12\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Fernando Jos\u00e9 Rodr\u00edguez De La Flor Ad\u00e1nez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pedro Ruiz perez <\/li>\n<li>Elena Lorenzo alvarez (vocal)<\/li>\n<li>Francisco Bautista p\u00e9rez (vocal)<\/li>\n<li>joaquin Alvarez barrientos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Carlos Cruz Suarez Dentro del campo de estudio del barroco espa\u00f1ol, son muchos los textos que 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