{"id":106082,"date":"2018-03-11T10:29:54","date_gmt":"2018-03-11T10:29:54","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/reescrituras-aureas-en-la-poesia-del-veintisiete-y-de-miguel-hernandez\/"},"modified":"2018-03-11T10:29:54","modified_gmt":"2018-03-11T10:29:54","slug":"reescrituras-aureas-en-la-poesia-del-veintisiete-y-de-miguel-hernandez","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/reescrituras-aureas-en-la-poesia-del-veintisiete-y-de-miguel-hernandez\/","title":{"rendered":"Reescrituras aureas en la poesia del veintisiete y de miguel hernandez"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rasha Ali Abdel Azim Said <\/strong><\/h2>\n<p>T\u00edtulo de la tesis: reescrituras \u00e1ureas en la poes\u00eda del veintisiete y de miguel hern\u00e1ndez resumen: nuestro estudio tiene como punto de partida la semejanza existente a nivel l\u00e9xico y tem\u00e1tico entre tres autores emblem\u00e1ticos del siglo de oro espa\u00f1ol \u00absan juan de la cruz, garcilaso de la vega y francisco de quevedo\u00bb y algunos de los poetas de la generaci\u00f3n del 27: pedro salinas, luis cernuda, gerardo diego, garc\u00eda lorca, jorge guillen, adem\u00e1s de miguel hern\u00e1ndez. nos basamos en las obras po\u00e9ticas del 27 donde mejor se deja sentir la influencia del siglo de oro. La realidad sociocultural de la \u00e9poca despert\u00f3 la necesidad de revivir la tradici\u00f3n espa\u00f1ola en la poes\u00eda del siglo xx, por lo cual vemos que los pr\u00e9stamos \u00e1ureos fueron adaptados por estos j\u00f3venes poetas seg\u00fan la ideolog\u00eda po\u00e9tica de su \u00e9poca, especialmente por pedro salinas, luis cernuda, gerardo diego y garc\u00eda lorca. San juan de la cruz, con su experiencia m\u00edstica amorosa, ofreci\u00f3 a los poetas seleccionados para nuestro trabajo los recursos estil\u00edsticos que reflejaban bien sus inquietudes existenciales. Estos poetas, homenajeando a san juan de la cruz, empleaban en sus versos algunas expresiones exactas del santo como autor secular. la t\u00e9cnica renacentista representada por garcilaso de la vega se ve reflejada en dos poetas del 27 que encontraron en la mitolog\u00eda y el mundo pastoril el mejor medio para envolver su melancol\u00eda y la expresi\u00f3n del amor: pedro salinas y luis cernuda. la reinterpretaci\u00f3n de los versos \u00e1ureos de francisco de quevedo se enfoc\u00f3 hacia el quevedo sentimental, teniendo en cuenta la preferencia que tuvieron los poetas del 27 por las f\u00f3rmulas y expresiones del barroco. El estilo sarc\u00e1stico y las t\u00e9cnicas variadas de quevedo relacionadas con los temas de la vida y la muerte interesaron a miguel hern\u00e1ndez y a jorge guillen, aunque luego cada uno lo tratara de una manera diferente en su propia poes\u00eda.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Reescrituras aureas en la poesia del veintisiete y de miguel hernandez<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Reescrituras aureas en la poesia del veintisiete y de miguel hernandez <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rasha Ali Abdel Azim Said <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/12\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Gaspar Garrote Bernal<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Lara  garrido <\/li>\n<li>Jos\u00e9 ignacio D\u00edez fern\u00e1ndez (vocal)<\/li>\n<li>isabel Colon calderon (vocal)<\/li>\n<li>Juan Matas caballero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rasha Ali Abdel Azim Said T\u00edtulo de la tesis: reescrituras \u00e1ureas en la poes\u00eda del veintisiete y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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