{"id":106319,"date":"2018-03-11T10:30:14","date_gmt":"2018-03-11T10:30:14","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aportaciones-del-analisis-y-la-improvisacion-a-la-formacion-del-interprete-pianista-el-modelo-de-los-estudios-op-25-de-chopin\/"},"modified":"2018-03-11T10:30:14","modified_gmt":"2018-03-11T10:30:14","slug":"aportaciones-del-analisis-y-la-improvisacion-a-la-formacion-del-interprete-pianista-el-modelo-de-los-estudios-op-25-de-chopin","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/musica-y-musicologia\/aportaciones-del-analisis-y-la-improvisacion-a-la-formacion-del-interprete-pianista-el-modelo-de-los-estudios-op-25-de-chopin\/","title":{"rendered":"Aportaciones del analisis y la improvisacion a la formacion del interprete pianista: el modelo de los estudios op. 25 de chopin"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Emilio Molina Fernandez <\/strong><\/h2>\n<p>Se ha investigado la relaci\u00f3n existente entre el analista, el improvisador, y el int\u00e9rprete. Los conocimientos que se derivan del an\u00e1lisis se convierten en fundamento de extracci\u00f3n de materiales que puedan utilizarse libremente al improvisar a partir de ellos, o que puedan sevir de fundamento de ejercicios t\u00e9cnicos que faciliten el trabajo del int\u00e9rprete. las aportaciones fundamentales son: -desarrollo de un novedoso sistema anal\u00edtico de procesos y niveles de s\u00edntesis emparentado con los analistas de la rama schenkeriana y de la gram\u00e1tica generativa de lerdahl. -experimentaci\u00f3n con los 12 estudios op. 25 de chopin. -extracci\u00f3n de consecuencias directas para el trabajo del improvisador y el int\u00e9rprete consistente en propuestas de ejercicios y de herramientas arm\u00f3nicas, r\u00edtmicas y mel\u00f3dicas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Aportaciones del analisis y la improvisacion a la formacion del interprete pianista: el modelo de los estudios op. 25 de chopin<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Aportaciones del analisis y la improvisacion a la formacion del interprete pianista: el modelo de los estudios op. 25 de chopin <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Emilio Molina Fernandez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Rey juan carlos<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/01\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Palmer Aparicio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: alvaro Zaldivar gracia <\/li>\n<li>Mar\u00eda  teresa Catalan sanchez (vocal)<\/li>\n<li>maravillas Diaz gomez (vocal)<\/li>\n<li>enrique Mu\u00f1oz rubio (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Emilio Molina Fernandez Se ha investigado la relaci\u00f3n existente entre el analista, el improvisador, y el int\u00e9rprete. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9132,36610],"tags":[59870,153706,214029,66303,54870,130570],"class_list":["post-106319","post","type-post","status-publish","format-standard","hentry","category-musica-y-musicologia","category-rey-juan-carlos","tag-alvaro-zaldivar-gracia","tag-antonio-palmer-aparicio","tag-emilio-molina-fernandez","tag-enrique-munoz-rubio","tag-maravillas-diaz-gomez","tag-maria-teresa-catalan-sanchez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/106319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=106319"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/106319\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=106319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=106319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=106319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}