{"id":106391,"date":"2018-03-11T10:30:19","date_gmt":"2018-03-11T10:30:19","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-composicion-orquestal-valenciana-a-traves-de-la-aportacion-del-grupo-de-los-jovenes-1925-1960\/"},"modified":"2018-03-11T10:30:19","modified_gmt":"2018-03-11T10:30:19","slug":"la-composicion-orquestal-valenciana-a-traves-de-la-aportacion-del-grupo-de-los-jovenes-1925-1960","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/musica-y-musicologia\/la-composicion-orquestal-valenciana-a-traves-de-la-aportacion-del-grupo-de-los-jovenes-1925-1960\/","title":{"rendered":"La composici\u00f3n orquestal Valenciana, a trav\u00e9s de la aportaci\u00f3n del grupo de los j\u00f3venes (1925-1960)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Pascual Hern\u00e1ndez Farin\u00f3s <\/strong><\/h2>\n<p>Esta tesis ha estudiado la obra orquestal de los integrantes del grupo de los j\u00f3venes o grupo de los cinco, integrado por vicente asencio, vicente garc\u00e9s, ricardo olmos, luis s\u00e1nchez y emilio vald\u00e9s. Este grupo se present\u00f3 con un manifiesto publicado en Valencia en 1934, en el que planteaban una renovaci\u00f3n y revitalizaci\u00f3n de la vida musical Valenciana en clave nacionalista.    se ha utilizado el arco cronol\u00f3gico comprendido entre 1925 y 1960, relacionando su obra con la m\u00fasica Valenciana y espa\u00f1ola de esta \u00e9poca, lo que permite precisar su importancia y aportaci\u00f3n a la m\u00fasica espa\u00f1ola del siglo xx. Asimismo se han trazado sus biograf\u00edas, sus aportaciones en el \u00e1mbito te\u00f3rico, cultural y human\u00edstico, y se han contextualizado las actividades musicales en la Valencia de esta \u00e9poca.    el an\u00e1lisis de sus obras orquestales ha permitido recapitular las caracter\u00edsticas t\u00e9cnicas de su lenguaje musical, relacion\u00e1ndolos entre s\u00ed, y confront\u00e1ndolos con la m\u00fasica espa\u00f1ola de su tiempo. De este modo, se constata que su estilo tuvo como punto de partida el primer nacionalismo y el sinfonismo poem\u00e1tico decimon\u00f3nico que, por influencia de su maestro manuel palau. Llev\u00f3 en los a\u00f1os treinta a un nacionalismo Valenciano maduro combinado con el impresionismo. En los a\u00f1os cuarenta evolucion\u00f3 hacia el neoclasicismo, coincidiendo con la dispersi\u00f3n f\u00edsica de los miembros del grupo, consumada en los a\u00f1os cincuenta, a finales de los cuales algunos miembros dejaron de componer y otros se alejaron de los nuevos lenguajes surgidos en la m\u00fasica espa\u00f1ola de la \u00e9poca.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La composici\u00f3n orquestal Valenciana, a trav\u00e9s de la aportaci\u00f3n del grupo de los j\u00f3venes (1925-1960)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La composici\u00f3n orquestal Valenciana, a trav\u00e9s de la aportaci\u00f3n del grupo de los j\u00f3venes (1925-1960) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Pascual Hern\u00e1ndez Farin\u00f3s <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/01\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Vicente Galbis Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: carmen Gracia beneyto <\/li>\n<li>v\u00edctor S\u00e1nchez s\u00e1nchez (vocal)<\/li>\n<li>Francisco Javier Su\u00e1rez pajares (vocal)<\/li>\n<li>gemma P\u00e9rez zalduondo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Pascual Hern\u00e1ndez Farin\u00f3s Esta tesis ha estudiado la obra orquestal de los integrantes del grupo de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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