{"id":106782,"date":"2011-11-02T00:00:00","date_gmt":"2011-11-02T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/poetica-de-la-ficcion-de-eliseo-subiela-de-un-cine-narrativo-hacia-un-cine-la%c2%adrico\/"},"modified":"2011-11-02T00:00:00","modified_gmt":"2011-11-02T00:00:00","slug":"poetica-de-la-ficcion-de-eliseo-subiela-de-un-cine-narrativo-hacia-un-cine-la%c2%adrico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/semiologia\/poetica-de-la-ficcion-de-eliseo-subiela-de-un-cine-narrativo-hacia-un-cine-la%c2%adrico\/","title":{"rendered":"Po\u00e9tica de la ficci\u00f3n de eliseo subiela: de un cine narrativo hacia un cine l\u00edrico"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Marcela Andrea Negro <\/strong><\/h2>\n<p>El prop\u00f3sito de esta tesis estriba en sacar a la luz la l\u00f3gica que gobierna en la obra cinematogr\u00e1fica del director de cine argentino eliseo subiela, compuesta por dos cortometrajes y doce largometrajes. La idea central de este trabajo sostiene que los componentes narrativo-argumentales que maneja ese corpus f\u00edlmico experimentan en el curso del tiempo una considerable merma en beneficio de un tono l\u00edrico cada vez m\u00e1s acusado fruto de la progresiva puesta en valor de todo un cat\u00e1logo de recursos de orden ret\u00f3rico. antes de abordar el an\u00e1lisis de las pel\u00edculas, este trabajo ofrece a modo de marco de referencia hist\u00f3rico, una amplia visi\u00f3n del contexto pol\u00edtico, econ\u00f3mico y social en el que se desenvuelve el cine argentino durante las \u00faltimas tres d\u00e9cadas del siglo xx en las que vio la luz la obra cinematogr\u00e1fica de eliseo subiela. Tambi\u00e9n se incluye una breve biograf\u00eda del cineasta, la descripci\u00f3n detallada de su obra cinematogr\u00e1fica y la s\u00edntesis argumental de las doce pel\u00edculas incluidas en el corpus de estudio. el grueso de la tesis consiste en el an\u00e1lisis minucioso de los tres largometrajes que conforman la columna vertebral sobre la que se sostiene la obra cinematogr\u00e1fica de eliseo subiela; tres pel\u00edculas que, tal como refrenda el trabajo emp\u00edrico, permiten apreciar a peque\u00f1a escala la evoluci\u00f3n de un corpus f\u00edlmico que, a medida que va tomando distancias respeto de los c\u00e1nones cl\u00e1sicos, se adentra sin complejos en el \u00e1mbito de juego est\u00e9tico de la posmodernidad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Po\u00e9tica de la ficci\u00f3n de eliseo subiela: de un cine narrativo hacia un cine l\u00edrico<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Po\u00e9tica de la ficci\u00f3n de eliseo subiela: de un cine narrativo hacia un cine l\u00edrico <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Marcela Andrea Negro <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 11\/02\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Irma Emiliozzi<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: santos Zunzunegui diez <\/li>\n<li>asier Aranzubia cob (vocal)<\/li>\n<li>Jos\u00e9 Luis Castro de paz (vocal)<\/li>\n<li>Francisco Javier Ruiz san Miguel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Marcela Andrea Negro El prop\u00f3sito de esta tesis estriba en sacar a la luz la l\u00f3gica que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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