{"id":107679,"date":"2018-03-11T10:32:06","date_gmt":"2018-03-11T10:32:06","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/metodologa%c2%ada-compositiva-interpretativa-y-pedagogica-de-esteban-sanchez-herrero\/"},"modified":"2018-03-11T10:32:06","modified_gmt":"2018-03-11T10:32:06","slug":"metodologa%c2%ada-compositiva-interpretativa-y-pedagogica-de-esteban-sanchez-herrero","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/extremadura\/metodologa%c2%ada-compositiva-interpretativa-y-pedagogica-de-esteban-sanchez-herrero\/","title":{"rendered":"Metodolog\u00eda compositiva, interpretativa y pedag\u00f3gica de esteban s\u00e1nchez herrero"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Antonio  Luis Suarez Moreno <\/strong><\/h2>\n<p>La presente tesis analiza la figura de esteban s\u00e1nchez herrero, pianista, compositor y docente. Establecemos una historia de vida, donde justificamos la ense\u00f1anzas y profesorado que llevaron al pianista, a ser considerado como uno de los mejores int\u00e9rpretes del s. Xx. El estudio de esta tesis, est\u00e1 dividido en tres partes: la primera hace referencia a las primeras ense\u00f1anzas, su evoluci\u00f3n y consolidaci\u00f3n a trav\u00e9s de los galardones que iba cosechando, as\u00ed mismo constituimos unas referencias peri\u00f3dicas, donde analizamos junto a la cr\u00edtica de la \u00e9poca, la sucesi\u00f3n de conciertos  en espa\u00f1a y europa, a la vez que creamos una cronolog\u00eda de los programas de concierto. La segunda parte, est\u00e1 constituida por su etapa compositiva donde bas\u00e1ndose en las est\u00e9ticas del momento, evocando sus viajes,  reflexiones y abordando piezas del folklore extreme\u00f1o, compone varias suites, piezas a modo de colecci\u00f3n, transcripciones de la etnomusicolog\u00eda extreme\u00f1a  y  obras con graf\u00edas contempor\u00e1neas. La tercera parte  versa sobre su labor como docente en extremadura, creando una importante escuela de int\u00e9rpretes. En este apartado, describimos su t\u00e9cnica, haciendo menci\u00f3n al trabajo digital y sonoro. en los anexos incluimos todas las referencia peri\u00f3dicas, de conciertos y el \u00fanico documento visual del concierto n\u00c2\u00ba2 para piano y orquesta de f. Liszt. esta tesis no se limita a un an\u00e1lisis de la obra, sino que se justifica por el conocimiento de las mismas para su publicaci\u00f3n e inclusi\u00f3n en los programas de conservatorio, adem\u00e1s y como fruto de la investigaci\u00f3n performativa interpretamos dos obras corespondites a  \u00abcaminos de extremadura\u00bb y \u00abcaminos del sur\u00bb .<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Metodolog\u00eda compositiva, interpretativa y pedag\u00f3gica de esteban s\u00e1nchez herrero<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Metodolog\u00eda compositiva, interpretativa y pedag\u00f3gica de esteban s\u00e1nchez herrero <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Antonio  Luis Suarez Moreno <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Extremadura<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 31\/03\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>M\u00aa Pilar Barrios Manzano<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda  teresa Catalan sanchez <\/li>\n<li>Mar\u00eda teresa Fraile prieto (vocal)<\/li>\n<li>maravillas Diaz gomez (vocal)<\/li>\n<li>rosario Guerra iglesias (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Antonio Luis Suarez Moreno La presente tesis analiza la figura de esteban s\u00e1nchez herrero, pianista, compositor y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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