{"id":10854,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1996\/01\/01\/analisis-estetico-plastico-de-las-series-pictoricas-de-sanchez-cotan-en-la-cartuja-de-granada\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"analisis-estetico-plastico-de-las-series-pictoricas-de-sanchez-cotan-en-la-cartuja-de-granada","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/analisis-estetico-plastico-de-las-series-pictoricas-de-sanchez-cotan-en-la-cartuja-de-granada\/","title":{"rendered":"Analisis estetico-plastico de las series pictoricas de sanchez cotan en la cartuja de granada."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Antonio Rodriguez Barbero <\/strong><\/h2>\n<p>La tesis aborda la reconstruccion de los conjuntos pictoricos que sanchez cotan realizo para las dependencias de la sala capitular de monjes y del claustrillo de la cartuja de granada a principios del siglo xvii, enmarcandolos en el contexto arquitectonico para el que fueron creados y partiendo del estudio de la espiritualidad cartujana que hizo posible la creacion de dichas series.Tomando como punto de partida los lienzos y estudiando los espacios, que aun se conservan en la cartuja, se ha procedido a la restitucion de los contenidos esteticos y plasticos que tuvieron las pinturas, y que les fueron arrebatados cuando la desamortizacion de mendizabal ocasiono la dispersion de los cuadros, lo que trajo como consecuencia la perdida de los valores estetico-plasticos con que fueron concebidos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Analisis estetico-plastico de las series pictoricas de sanchez cotan en la cartuja de granada.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Analisis estetico-plastico de las series pictoricas de sanchez cotan en la cartuja de granada. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Antonio Rodriguez Barbero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Gomez Rivero<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio P\u00e9rez Pineda <\/li>\n<li>Juan Carceles Pascual (vocal)<\/li>\n<li>Josep S\u00e1nchez Carralero (vocal)<\/li>\n<li>Francisco Arquillo Torres (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Antonio Rodriguez Barbero La tesis aborda la reconstruccion de los conjuntos pictoricos que sanchez cotan realizo para [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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