{"id":108680,"date":"2018-03-11T10:33:35","date_gmt":"2018-03-11T10:33:35","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/analisis-audiovisual-gestaltico-iconologico-propuesta-teorica-y-aplicaciones-practicas\/"},"modified":"2018-03-11T10:33:35","modified_gmt":"2018-03-11T10:33:35","slug":"analisis-audiovisual-gestaltico-iconologico-propuesta-teorica-y-aplicaciones-practicas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cinematografia\/analisis-audiovisual-gestaltico-iconologico-propuesta-teorica-y-aplicaciones-practicas\/","title":{"rendered":"An\u00e1lisis audiovisual gest\u00e1ltico-iconol\u00f3gico. propuesta te\u00f3rica y aplicaciones pr\u00e1cticas"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ram\u00f3n Moreno Cantero <\/strong><\/h2>\n<p>Elaboraci\u00f3n de un m\u00e9todo anal\u00edtico del filme como obra de arte que tenga en cuenta las peculiaridades formales de la estructura de la imagen, desde presupuestos gest\u00e1lticos e iconol\u00f3gicos. Se elabora una teor\u00eda cognoscitiva del arte entendido como fusi\u00f3n entre pintura, fotograf\u00eda y cine, desde par\u00e1metros filos\u00f3ficos, est\u00e9ticos y gest\u00e1lticos, para abordar la naturaleza cognoscitiva del discurso audiovisual dominante. Se demuestra, por medio de una pr\u00e1ctica que incluye m\u00e1s de cuatrocientas pel\u00edculas, que el estudio ic\u00f3nico puede ser tan fruct\u00edfero como el narratol\u00f3gico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>An\u00e1lisis audiovisual gest\u00e1ltico-iconol\u00f3gico. propuesta te\u00f3rica y aplicaciones pr\u00e1cticas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 An\u00e1lisis audiovisual gest\u00e1ltico-iconol\u00f3gico. propuesta te\u00f3rica y aplicaciones pr\u00e1cticas <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ram\u00f3n Moreno Cantero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/05\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco De La Plaza Santiago<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: blanca Garcia vega <\/li>\n<li>gonzalo Paves borges (vocal)<\/li>\n<li>Mar\u00eda del mar Ma\u00f1as mart\u00ednez (vocal)<\/li>\n<li>german Ramallo asensio (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ram\u00f3n Moreno Cantero Elaboraci\u00f3n de un m\u00e9todo anal\u00edtico del filme como obra de arte que tenga en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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