{"id":108932,"date":"2011-06-06T00:00:00","date_gmt":"2011-06-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-transcripcion-musical-para-guitarra-flamenca-analisis-e-implementacion-metodologica\/"},"modified":"2011-06-06T00:00:00","modified_gmt":"2011-06-06T00:00:00","slug":"la-transcripcion-musical-para-guitarra-flamenca-analisis-e-implementacion-metodologica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sevilla\/la-transcripcion-musical-para-guitarra-flamenca-analisis-e-implementacion-metodologica\/","title":{"rendered":"La transcripcion musical para guitarra flamenca. analisis e implementacion metodologica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rafael Hoces Ortega <\/strong><\/h2>\n<p>La investigaci\u00f3n contiene un estudio hist\u00f3rico sobre las grandes figuras de la guitarra flamenca y propone un m\u00e9todo para transcribir el repertorio de este instrumento al lenguaje musical escrito. Explica como se  realiza el proceso de transcripci\u00f3n de partituras para dicho instrumento (algunas de ellas ya publicadas) y sienta las bases  sobre c\u00f3mo se debe transcribir, desde perspectivas  musicol\u00f3gicas, con criterios flamencos fundamentados. Adem\u00e1s, detalla los problemas m\u00e1s frecuentes  en la transcripci\u00f3n y ofrece  posibles soluciones. Asimismo, realiza un estudio de las nuevas tecnolog\u00edas en la transcripci\u00f3n y  expone una experiencia did\u00e1ctica con alumnos de grado profesional de guitarra flamenca.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La transcripcion musical para guitarra flamenca. analisis e implementacion metodologica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La transcripcion musical para guitarra flamenca. analisis e implementacion metodologica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rafael Hoces Ortega <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 06\/06\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Javier Escobar Borrego<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rafael Infante mac\u00edas <\/li>\n<li>Jos\u00e9 Miguel Diaz ba\u00f1ez (vocal)<\/li>\n<li>Jos\u00e9 Antonio Esquivel guerrero (vocal)<\/li>\n<li>Jos\u00e9 Antonio Rodriguez-quiles y garcia (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rafael Hoces Ortega La investigaci\u00f3n contiene un estudio hist\u00f3rico sobre las grandes figuras de la guitarra flamenca [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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