{"id":108951,"date":"2011-07-06T00:00:00","date_gmt":"2011-07-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/marse-y-las-secciones-de-por-favor-una-perspectiva-en-torno-a-su-narrativa\/"},"modified":"2011-07-06T00:00:00","modified_gmt":"2011-07-06T00:00:00","slug":"marse-y-las-secciones-de-por-favor-una-perspectiva-en-torno-a-su-narrativa","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-de-la-literatura\/marse-y-las-secciones-de-por-favor-una-perspectiva-en-torno-a-su-narrativa\/","title":{"rendered":"Mars\u00e9 y las secciones de \u00abpor favor\u00bb. una perspectiva en torno a su narrativa."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ferm\u00edn Dom\u00ednguez Santana <\/strong><\/h2>\n<p>En esta investigaci\u00f3n se estudia la producci\u00f3n literaria de juan mars\u00e9 en las revistas de humor sat\u00edrico por favor (1974-1978) y muchas gracias (1974). Se complementa este an\u00e1lisis con la comparaci\u00f3n de estos textos con la producci\u00f3n novel\u00edstica del escritor en esos mismos a\u00f1os: si te dicen que ca\u00ed (m\u00e9xico, 1973; barcelona, 1976) y la muchacha de las bragas de oro (1978). Un estudio de esta naturaleza no ha sido abordado con anterioridad. la tesis consta de dos tomos. El segundo de ellos recoge todos los textos publicados bajo la firma de juan mars\u00e9 en las citadas publicaciones. Sobre ellos se ha llevado a cabo una labor de edici\u00f3n, cotejo de variantes y contextualizaci\u00f3n. El tomo uno aborda la comparaci\u00f3n ya referida entre textos period\u00edsticos y novel\u00edsticos en base al an\u00e1lisis de un concepto fundamental: la expresi\u00f3n de la identidad literaria. Un primer cap\u00edtulo presenta una contextualizaci\u00f3n hist\u00f3rica y sociocultural del per\u00edodo estudiado. Se abordan las vicisitudes que rodearon la publicaci\u00f3n de las revistas mencionadas y sus problemas con la censura. A partir de ah\u00ed, se emprende el an\u00e1lisis de la expresi\u00f3n identitaria del escritor en base a tres aspectos: la auto-representaci\u00f3n (cap\u00edtulo ii), la expresi\u00f3n de contraposici\u00f3n de los diferentes grupos sociales de la sociedad catalana (cap\u00edtulo iii); y el uso de elementos de la memoria que permiten la reescritura de la historia propia y de la historia oficial (cap\u00edtulo iv).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Mars\u00e9 y las secciones de \u00abpor favor\u00bb. una perspectiva en torno a su narrativa.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Mars\u00e9 y las secciones de \u00abpor favor\u00bb. una perspectiva en torno a su narrativa. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ferm\u00edn Dom\u00ednguez Santana <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 La laguna<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/06\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Nilo Palenzuela Borges<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco javier Diez de revenga torres <\/li>\n<li>Jos\u00e9 Marrero henr\u00edquez (vocal)<\/li>\n<li>salvador Mart\u00edn montenegro (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Balcells dom\u00e9nech (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ferm\u00edn Dom\u00ednguez Santana En esta investigaci\u00f3n se estudia la producci\u00f3n literaria de juan mars\u00e9 en las revistas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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