{"id":109406,"date":"2018-03-11T10:34:48","date_gmt":"2018-03-11T10:34:48","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-la%c2%admite-como-concepto-plastico-en-la-obra-de-eduardo-chillida\/"},"modified":"2018-03-11T10:34:48","modified_gmt":"2018-03-11T10:34:48","slug":"el-la%c2%admite-como-concepto-plastico-en-la-obra-de-eduardo-chillida","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/el-la%c2%admite-como-concepto-plastico-en-la-obra-de-eduardo-chillida\/","title":{"rendered":"El l\u00edmite como concepto pl\u00e1stico en la obra de eduardo chillida"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Javier Lomel\u00ed Ponce <\/strong><\/h2>\n<p>El l\u00edmite como concepto pl\u00e1stico en la obra de eduardo chillida consiste en una investigaci\u00f3n est\u00e9tica que desde un cariz fenomenol\u00f3gico, espec\u00edficamente desde la \u00f3ptica del filosofo alem\u00e1n martin heidegger, pretende indagar en la obra del escultor vasco en su car\u00e1cter de acontecimiento art\u00edstico-espacial. Concretamente, tomando como eje conceptual la noci\u00f3n de l\u00edmite, entendida como categor\u00eda ontol\u00f3gica fundamental aplicada a la obra de arte. Esto siguiendo la l\u00ednea propuesta por el fil\u00f3sofo barcelon\u00e9s eugenio tr\u00edas, que con su filosof\u00eda del l\u00edmite, sobre todo en relaci\u00f3n al \u00e1mbito est\u00e9tico, nos proporciona un cauce adecuado y una sistematizaci\u00f3n para nuestra lectura sobre la obra del artista. De esta forma, se realiza una reflexi\u00f3n est\u00e9tica fundada en la categor\u00eda del l\u00edmite, que en su desarrollo y radicalizaci\u00f3n art\u00edstico-conceptual, concluye con la relaci\u00f3n que se establece entre el arte y la religi\u00f3n, partiendo de la obra de eduardo chillida.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El l\u00edmite como concepto pl\u00e1stico en la obra de eduardo chillida<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El l\u00edmite como concepto pl\u00e1stico en la obra de eduardo chillida <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Javier Lomel\u00ed Ponce <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pompeu fabra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/06\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>borbujo \u00e1lvarez P\u00e9rez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: amador Vega esquerra <\/li>\n<li>Juan  Alberto Sucasas pe\u00f3n (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Javier Lomel\u00ed Ponce El l\u00edmite como concepto pl\u00e1stico en la obra de eduardo chillida consiste en una [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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