{"id":109646,"date":"2018-03-11T10:35:11","date_gmt":"2018-03-11T10:35:11","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/significacion-y-tecnica-de-la-encaustica-en-fra%c2%ado-de-los-retratos-de-el-fayum-a-una-practica-pictorica-contemporanea\/"},"modified":"2018-03-11T10:35:11","modified_gmt":"2018-03-11T10:35:11","slug":"significacion-y-tecnica-de-la-encaustica-en-fra%c2%ado-de-los-retratos-de-el-fayum-a-una-practica-pictorica-contemporanea","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/escultura\/significacion-y-tecnica-de-la-encaustica-en-fra%c2%ado-de-los-retratos-de-el-fayum-a-una-practica-pictorica-contemporanea\/","title":{"rendered":"Significaci\u00f3n y t\u00e9cnica de la enc\u00e1ustica en fr\u00edo. de los retratos de el fayum a una pr\u00e1ctica pict\u00f3rica contempor\u00e1nea"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Felipe Cobo Gutierrez <\/strong><\/h2>\n<p>Partiendo de la t\u00e9cnica pl\u00e1stica utilizada en la mayor\u00eda de los retratos de el fayum, la enc\u00e1ustica, se presentan dos enfoques: el te\u00f3rico o conceptual y el pr\u00e1ctico experimental que se unir\u00e1n en la consecuci\u00f3n de la obra final. Investigamos su contextualizaci\u00f3n (hist\u00f3rica, geogr\u00e1fica, socio-pol\u00edtica, cultural) para comprender y valorar su aplicaci\u00f3n dilucidando y aportando los distintos procedimientos necesarios para trabajar dicha t\u00e9cnica y que tras aportar una serie de muestras experimentales profundiza en el procedimiento en fr\u00edo o al pincel m\u00e1s apropiado y relacionado directamente con el empleado en parte de los retratos grecorromanos gracias a emulsiones con lej\u00eda de ceniza que ser\u00e1n utilizadas como medio para los pigmentos junto con el agua como disolvente a fin de generar las distintas capas pict\u00f3ricas en una obra de car\u00e1cter personal determinando un lenguaje art\u00edstico propio. se aportan una serie de an\u00e1lisis cient\u00edficos de algunas de nuestras emulsiones y capas pict\u00f3ricas m\u00e1s representativas para compararlas con otros realizados por otros autores a partir de muestras de murales enc\u00e1usticos grecorromanos originarios de m\u00e9rida determinando su alta similitud.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Significaci\u00f3n y t\u00e9cnica de la enc\u00e1ustica en fr\u00edo. de los retratos de el fayum a una pr\u00e1ctica pict\u00f3rica contempor\u00e1nea<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Significaci\u00f3n y t\u00e9cnica de la enc\u00e1ustica en fr\u00edo. de los retratos de el fayum a una pr\u00e1ctica pict\u00f3rica contempor\u00e1nea <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Felipe Cobo Gutierrez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 29\/06\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ignacio Bilbao Delgado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: julian Irujo andueza <\/li>\n<li>pedro Osakar (vocal)<\/li>\n<li>Jos\u00e9 Chavete rodriguez (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Gonzalez cuasante (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Felipe Cobo Gutierrez Partiendo de la t\u00e9cnica pl\u00e1stica utilizada en la mayor\u00eda de los retratos de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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