{"id":109696,"date":"2018-03-11T10:35:16","date_gmt":"2018-03-11T10:35:16","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/autorretrato-y-autorrepresentacion-territorio-de-experimentacion-y-cambio-de-paradigma-en-el-siglo-xx\/"},"modified":"2018-03-11T10:35:16","modified_gmt":"2018-03-11T10:35:16","slug":"autorretrato-y-autorrepresentacion-territorio-de-experimentacion-y-cambio-de-paradigma-en-el-siglo-xx","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte-de-los-siglos-xix-y-xx\/autorretrato-y-autorrepresentacion-territorio-de-experimentacion-y-cambio-de-paradigma-en-el-siglo-xx\/","title":{"rendered":"Autorretrato y autorrepresentaci\u00f3n: territorio de experimentaci\u00f3n y cambio de paradigma en el siglo xx"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda Isabel Gallis Pereira Baraona <\/strong><\/h2>\n<p>La presente disertaci\u00f3n, titulada autorretrato y autorrepresentaci\u00f3n: territorio de experimentaci\u00f3n y cambio de paradigma en el siglo xx, se apoya en el estudio de las implicaciones conceptuales que subyacen a la tem\u00e1tica del autorretrato e intenta formular una definici\u00f3n del concepto de autorrepresentaci\u00f3n.   esta es una indagaci\u00f3n te\u00f3rica-pr\u00e1ctica e interdisciplinar que se apoya en una investigaci\u00f3n hist\u00f3rica, recurriendo para ello sobre todo a los escritos de los propios artistas, a la historia del arte, a la cultura visual y a la semi\u00f3tica.   las distinciones entre autorretrato, el reconocimiento del artista como intelectual y autorrepresentaci\u00f3n estructuran el texto de la tesis en tres partes: la primera busca definir conceptos (rostro: firma; yo: autor; yo singular: autor plural); la segunda (cap\u00edtulo 4) presenta el proyecto pr\u00e1ctico; y la tercera (anexos i y ii) funciona como una suerte de archivo de biograf\u00edas de los artistas estudiados y de obras abordadas.   para el desarrollo de la investigaci\u00f3n, hemos abordado dos disciplinas fundamentales: la pintura y la fotograf\u00eda, en tanto que nueva t\u00e9cnica y pretexto para la renovaci\u00f3n de la tradici\u00f3n pict\u00f3rica. En ese contexto, se seleccionaron casos de estudio asociados a la tem\u00e1tica del autorretrato que, en cierta forma, prefiguran una excepci\u00f3n estil\u00edstica y conceptual, como por ejemplo determinados n\u00facleos de trabajo de cindy sherman, yasumasa morimura, sophie calle, jorge molder, william kentridge, entre otros.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Autorretrato y autorrepresentaci\u00f3n: territorio de experimentaci\u00f3n y cambio de paradigma en el siglo xx<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Autorretrato y autorrepresentaci\u00f3n: territorio de experimentaci\u00f3n y cambio de paradigma en el siglo xx <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda Isabel Gallis Pereira Baraona <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/06\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda Salom\u00e9 Cuesta Valera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: isabel Dom\u00e9nech ib\u00e1nez <\/li>\n<li>Juan  Luis Moraza p\u00e9rez (vocal)<\/li>\n<li>pedro Ortu\u00f1o mengual (vocal)<\/li>\n<li>alicia Vela cisneros (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Isabel Gallis Pereira Baraona La presente disertaci\u00f3n, titulada autorretrato y autorrepresentaci\u00f3n: territorio de experimentaci\u00f3n y cambio [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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