{"id":109706,"date":"2018-03-11T10:35:16","date_gmt":"2018-03-11T10:35:16","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-de-mao-reflexion-entre-oriente-y-occidente\/"},"modified":"2018-03-11T10:35:16","modified_gmt":"2018-03-11T10:35:16","slug":"la-imagen-de-mao-reflexion-entre-oriente-y-occidente","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/dibujo-y-grabado\/la-imagen-de-mao-reflexion-entre-oriente-y-occidente\/","title":{"rendered":"La imagen de mao: reflexi\u00f3n entre oriente y occidente"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Nong Ru Cheng Lee <\/strong><\/h2>\n<p>La presente tesis doctoral presenta un estudio del estado del arte en china, a trav\u00e9s de la figura de mao, en tres \u00e9pocas, la primera \u00e9poca en la se hace visible la necesidad de hacer propaganda para que triunfase el nuevo gobierno . La segunda etapa en la que se puede destacar como la imagen de mao en la revoluci\u00f3n cultural se convirti\u00f3 en el emblema prioritario y finalmente una tercera \u00e9poca tras la muerte de mao, que supone una mirada a la independencia del individuo y abrirse a otros caminos, la figura de mao. Se presenta pues, una comparativa de mao ze dong en el arte contempor\u00e1neo entre oriente y occidente. Las conclusiones son el resultado l\u00f3gico de este amplio an\u00e1lisis, y suponen una serie de reflexiones que ayudan a comprender el proceso del arte chino durante las d\u00e9cadas que se estudian, para entender mejor su producci\u00f3n contempor\u00e1nea en contacto pleno con el arte occidental pero siempre con una serie de peculiaridades propias de su \u00e1mbito socio-cultural<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen de mao: reflexi\u00f3n entre oriente y occidente<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen de mao: reflexi\u00f3n entre oriente y occidente <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Nong Ru Cheng Lee <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/06\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Sebastian Garcia Garrido<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rita Del rio rodr\u00edguez <\/li>\n<li>Mar\u00eda Jos\u00e9 Garc\u00eda del moral (vocal)<\/li>\n<li>Luis gonzalo Gonzalez gonzalez (vocal)<\/li>\n<li>pilar Del rio fernandez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Nong Ru Cheng Lee La presente tesis doctoral presenta un estudio del estado del arte en china, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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