{"id":110371,"date":"2018-03-11T10:36:19","date_gmt":"2018-03-11T10:36:19","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-geopola%c2%adtica-de-las-coproducciones-hispanoamericanas-un-analisis-a-traves-de-su-presencia-en-los-festivales-de-clase-a-1997-2007\/"},"modified":"2018-03-11T10:36:19","modified_gmt":"2018-03-11T10:36:19","slug":"la-geopola%c2%adtica-de-las-coproducciones-hispanoamericanas-un-analisis-a-traves-de-su-presencia-en-los-festivales-de-clase-a-1997-2007","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-geopola%c2%adtica-de-las-coproducciones-hispanoamericanas-un-analisis-a-traves-de-su-presencia-en-los-festivales-de-clase-a-1997-2007\/","title":{"rendered":"La geopol\u00edtica de las coproducciones hispanoamericanas. un an\u00e1lisis a trav\u00e9s de su presencia en los festivales de clase a (1997-2007)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar Binimelis Adell <\/strong><\/h2>\n<p>Durante el periodo estudiado (1997-2007) la convergencia entre las coproduciones hispanoamericanas y los festivales de clase a coge un impulso sin precedentes. El nuevo contexto geopol\u00edtico y de producci\u00f3n genera que las producciones hispanoamericanas, preocupads principalmente hasta ese momento de generar productor para su mercado interno, empiezen a ver en la coproducci\u00f3n una v\u00eda de acceso en los mercados exteriores.. Del nuevo contexto se benefician los pa\u00edses de la regi\u00f3n m\u00e1s pudorosos en t\u00e9rminos cinematogr\u00e1ficos (espa\u00f1a, argentina, m\u00e9xico), pero tambien los que tienen unas estructuras de producci\u00f3n m\u00e1s d\u00e9biles.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La geopol\u00edtica de las coproducciones hispanoamericanas. un an\u00e1lisis a trav\u00e9s de su presencia en los festivales de clase a (1997-2007)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La geopol\u00edtica de las coproducciones hispanoamericanas. un an\u00e1lisis a trav\u00e9s de su presencia en los festivales de clase a (1997-2007) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar Binimelis Adell <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Rovira i virgili<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/07\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Francisco Cerd\u00e1n Los Arcos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: roman Gubern garriga-nogu\u00e9s <\/li>\n<li>yolanda Tortajada gimenez (vocal)<\/li>\n<li>rosa m. Palencia vila (vocal)<\/li>\n<li>Alberto Elena d\u00edaz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar Binimelis Adell Durante el periodo estudiado (1997-2007) la convergencia entre las coproduciones hispanoamericanas y los festivales [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,104,18759],"tags":[17199,81113,220359,36703,55606,121771],"class_list":["post-110371","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-historia","category-rovira-i-virgili","tag-alberto-elena-diaz","tag-jose-francisco-cerdan-los-arcos","tag-mar-binimelis-adell","tag-roman-gubern-garriga-nogues","tag-rosa-m-palencia-vila","tag-yolanda-tortajada-gimenez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/110371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=110371"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/110371\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=110371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=110371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=110371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}