{"id":110797,"date":"2011-09-09T00:00:00","date_gmt":"2011-09-09T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/bandas-de-musica-en-la-provincia-de-valladolid-un-modelo-de-ensenanza-musical-no-formal\/"},"modified":"2011-09-09T00:00:00","modified_gmt":"2011-09-09T00:00:00","slug":"bandas-de-musica-en-la-provincia-de-valladolid-un-modelo-de-ensenanza-musical-no-formal","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/musica-y-musicologia\/bandas-de-musica-en-la-provincia-de-valladolid-un-modelo-de-ensenanza-musical-no-formal\/","title":{"rendered":"Bandas de m\u00fasica en la provincia de valladolid. un modelo de ense\u00f1anza musical no formal"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Manuel Del Rio Lobato <\/strong><\/h2>\n<p>Estudio cient\u00edfico que estudia, recoge y analiza un modelo de ense\u00f1anza musical no formal que  comprenden las bandas, academias y escuelas de m\u00fasica de la provincia de valladolid, estrechamente vinculadas entre s\u00ed, utilizando una investigaci\u00f3n multimet\u00f3dica. Se fijan los antecedentes de estas agrupaciones a partir de 1566 y su desarrollo a partir de 1859. Destaca el amplio papel desarrollado por estas agrupaciones, tanto a nivel social, educativo y cultural, analizado por ello los elementos necesarios para su desarrollo: organolog\u00eda, repertorio, vestuario, espacios de representaci\u00f3n esc\u00e9nica, reglamentos, directores, agrupaciones paralelas, concursos y encuentros, etc.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Bandas de m\u00fasica en la provincia de valladolid. un modelo de ense\u00f1anza musical no formal<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Bandas de m\u00fasica en la provincia de valladolid. un modelo de ense\u00f1anza musical no formal <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Manuel Del Rio Lobato <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/09\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Ignacio Palacios Sanz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: bego\u00f1a Lolo herranz <\/li>\n<li>Antonio S\u00e1nchez del barrio (vocal)<\/li>\n<li>bartolome Rubia avi (vocal)<\/li>\n<li>Juan  ram\u00f3n Coello mart\u00edn (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Manuel Del Rio Lobato Estudio cient\u00edfico que estudia, recoge y analiza un modelo de ense\u00f1anza musical no [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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