{"id":110854,"date":"2018-03-11T10:37:04","date_gmt":"2018-03-11T10:37:04","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-y-la-etica-del-periodista-en-el-cine-espanol-1896-2010\/"},"modified":"2018-03-11T10:37:04","modified_gmt":"2018-03-11T10:37:04","slug":"la-imagen-y-la-etica-del-periodista-en-el-cine-espanol-1896-2010","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sociologia\/la-imagen-y-la-etica-del-periodista-en-el-cine-espanol-1896-2010\/","title":{"rendered":"La imagen y la \u00e9tica del periodista en el cine espa\u00f1ol.(1896-2010)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Lucia Tello Diaz <\/strong><\/h2>\n<p>Resumen metanet tesis doctoral la imagen y la \u00e9tica del periodista en el cine espa\u00f1ol (1896-2010) luc\u00eda tello d\u00edaz  la imagen y la \u00e9tica del periodista en el cine espa\u00f1ol (1896-2010) es una tesis doctoral en la que se estudia de manera pionera c\u00f3mo s e representa y entiende la profesi\u00f3n period\u00edstica desde la perspectiva de la cinematograf\u00eda espa\u00f1ola. En ella se busca una suerte de subjetividad colectiva, el caldo de cultivo \u00e9tico y est\u00e9tico que nos ayuda a descubrir hasta qu\u00e9 punto un mismo terri torio puede compartir, pese a las diferencias socio-pol\u00edticas y aun temporales (la investigaci\u00f3n abarca desde la implantaci\u00f3n del cinema hasta 2010), una simiente com\u00fan, un lecho compartido de recelos, de cr\u00edticas conscientes o inconscientes, o de co incidencias en la opini\u00f3n que les merece los medios.   la investigaci\u00f3n se encuentra dividida en dos partes diferenciadas, centr\u00e1ndose la primera de ellas en el estudio de los rasgos indiciales, caracter\u00edsticas, vicios, imagen y estereotipos del peri odista en el cine espa\u00f1ol, as\u00ed como las diferencias encontradas en la representaci\u00f3n de la mujer periodista y su hom\u00f3logo var\u00f3n. la segunda parte no s\u00f3lo analiza los principios \u00e9ticos m\u00e1s relevantes que se representan en la praxis period\u00edstica de nue stro cine, sino que asimismo cuenta con una serie de imponderables entrevistas realizadas a una veintena de directores y guionistas imprescindibles en la cinematograf\u00eda espa\u00f1ola, como lo son jos\u00e9 luis garci, carlos saura, \u00e1lex de la iglesia, jes\u00fas fr anco, basilio mart\u00edn patino, gonzalo su\u00e1rez, jordi moll\u00ed\u00a0 o david trueba, quienes contribuyen a clarificar qu\u00e9 significado tiene, y qu\u00e9 motivos existen, para abordar la realidad medi\u00e1tica desde el cine espa\u00f1ol.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen y la \u00e9tica del periodista en el cine espa\u00f1ol.(1896-2010).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen y la \u00e9tica del periodista en el cine espa\u00f1ol.(1896-2010). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Lucia Tello Diaz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/09\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alberto Pena Rodr\u00edguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pinar Agudiez  calvo <\/li>\n<li>victor Martin garcia (vocal)<\/li>\n<li>leopoldo Seijas candelas (vocal)<\/li>\n<li>Luis Rodr\u00edguez baena (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Lucia Tello Diaz Resumen metanet tesis doctoral la imagen y la \u00e9tica del periodista en el cine [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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