{"id":110998,"date":"2018-03-11T10:37:20","date_gmt":"2018-03-11T10:37:20","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-musica-en-el-cine-de-ingmar-bergman\/"},"modified":"2018-03-11T10:37:20","modified_gmt":"2018-03-11T10:37:20","slug":"la-musica-en-el-cine-de-ingmar-bergman","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cinematografia\/la-musica-en-el-cine-de-ingmar-bergman\/","title":{"rendered":"La m\u00fasica en el cine de ingmar bergman"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Marcos Azzam Gomez <\/strong><\/h2>\n<p>Esta tesis doctoral investiga la presencia y funcionalidad de la m\u00fasica en el cine de ingmar bergman. Tal funcionalidad ha sido analizada desde diversos niveles: dram\u00e1tico, estructural, narrativo, est\u00e9tico, simb\u00f3lico, metatextual, emocional, etc. Para este prop\u00f3sito, he tomado ejemplos de la m\u00fasica contenida en cuarenta de las pel\u00edculas del director, desde la m\u00fasica cl\u00e1sica preexistente a la banda sonora original. Considerando la m\u00fasica cl\u00e1sica preexistente, destaca especialmente el trabajo de compositores como johann sebastian bach y fr\u00e9d\u00e9ric chopin, adem\u00e1s de ludwig van beethoven o robert schumann, entre otros importantes compositores incluidos por el director de cine. En lo que respecta a la banda sonora original, erland von koch, erik nordgren y lars johan werle destacan entre otros. esta investigaci\u00f3n tambi\u00e9n ha trabajado los aspectos interdisciplinares a trav\u00e9s de la m\u00fasica y su relaci\u00f3n con la sociolog\u00eda, la psicolog\u00eda y la est\u00e9tica, en largometrajes espec\u00edficos en los que el gui\u00f3n mismo conduce a este tipo de reflexiones. en otros cap\u00edtulos han sido analizados el papel del actor como int\u00e9rprete musical y la manera en la cual este hecho es desarrollado en el cine, teniendo en cuenta el importante n\u00famero de m\u00fasicos que aparecen en esta obra. Los diversos niveles de relaci\u00f3n entre los tipos de m\u00fasica dieg\u00e9tica e incidental (no-dieg\u00e9tica), e incluso las conexiones de algunas escenas con la \u00f3pera, han sido tambi\u00e9n tenidos en cuenta. algunos films fueron tratados independientemente en un cap\u00edtulo separado, debido a sus aspectos particulares, como por ejemplo \u00abel rostro\u00bb (con todas sus interesantes singularidades) o \u00abesas mujeres\u00bb (donde podemos encontrar reflexiones muy profundas m\u00e1s all\u00e1 de su aparente ligereza y caracter\u00edsticas c\u00f3micas).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La m\u00fasica en el cine de ingmar bergman<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La m\u00fasica en el cine de ingmar bergman <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Marcos Azzam Gomez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/09\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Matilde Olarte Mart\u00ednez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: baltasar Cuart moner <\/li>\n<li>vicente Galbis lopez (vocal)<\/li>\n<li>jaume Radigales bab\u00ed (vocal)<\/li>\n<li>magda Polo pujades (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Marcos Azzam Gomez Esta tesis doctoral investiga la presencia y funcionalidad de la m\u00fasica en el cine [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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