{"id":111079,"date":"2018-03-11T10:37:27","date_gmt":"2018-03-11T10:37:27","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/josep-ma-mestres-quadrenysinestesia-y-aza-en-la-composicion-musical\/"},"modified":"2018-03-11T10:37:27","modified_gmt":"2018-03-11T10:37:27","slug":"josep-ma-mestres-quadrenysinestesia-y-aza-en-la-composicion-musical","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/oviedo\/josep-ma-mestres-quadrenysinestesia-y-aza-en-la-composicion-musical\/","title":{"rendered":"Josep m\u00aa. mestres quadreny:sinestesia y aza en la composici\u00f3n musical."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Isaac Diego Garcia Fernandez <\/strong><\/h2>\n<p>El presente proyecto de tesis doctoral aborda el estudio de la obra y pensamiento del compositor catal\u00e1n josep mar\u00eda mestres quadreny (manresa, 1929). Se trata de uno de los m\u00fasicos m\u00e1s prol\u00edficos e inquietos de la vanguardia musical espa\u00f1ola y catalana cuya obra se ha desarrollado durante la segunda mitad del siglo xx, prolongando su actividad hasta la fecha actual. Una de las caracter\u00edsticas fundamentales de su po\u00e9tica consiste en la interacci\u00f3n con campos ajenos al musical. Dos son los principales polos de los que se ha nutrido su obra: por una parte, su formaci\u00f3n e inter\u00e9s por las ciencias y la tecnolog\u00eda; y por otra, su constante relaci\u00f3n con otros \u00e1mbitos art\u00edsticos, como la poes\u00eda y las artes pl\u00e1sticas. El presente estudio abordar\u00e1 estos dos aspectos en sendos bloques que tienen repercusi\u00f3n directa en su creaci\u00f3n sonora, el primero dedicado a la influencia del pensamiento cient\u00edfico y las nuevas tecnolog\u00edas en su recorrido creativo; y el segundo a los lenguajes de car\u00e1cter h\u00edbrido desarrollados por mestres quadreny como consecuencia de la colaboraci\u00f3n con artistas de otras \u00e1reas creativas (como joan brossa, joan mir\u00f3, antoni t\u00ed\u00a0pies, perejaume, etc.). Cada uno de los cap\u00edtulos de los dos bloques estar\u00e1 centrado en un aspecto concreto. As\u00ed, en el primero se tratar\u00e1n cuestiones como la concepci\u00f3n objetual de la obra musical como medio para superar el pensamiento serial, el empleo del azar (desde la indeterminaci\u00f3n al azar matem\u00e1tico), la teor\u00eda de la informaci\u00f3n como estrategia frente a los problemas inherentes de la experimentalidad sonora y el valor de las nuevas tecnolog\u00edas. El segundo bloque del trabajo estar\u00e1 dedicado a las dos po\u00e9ticas de la intermedialidad desarrolladas por mestres quadreny: el grafismo musical y las m\u00fasicas de acci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Josep m\u00aa. mestres quadreny:sinestesia y aza en la composici\u00f3n musical.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Josep m\u00aa. mestres quadreny:sinestesia y aza en la composici\u00f3n musical. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Isaac Diego Garcia Fernandez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/09\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Marta Cureses De La Vega<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rom\u00ed\u00a0 De la calle de la calle <\/li>\n<li>m. carmen Pardo salgado (vocal)<\/li>\n<li>Luis mario Alvarez fenandez (vocal)<\/li>\n<li>Jos\u00e9 Luis Carles arribas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Isaac Diego Garcia Fernandez El presente proyecto de tesis doctoral aborda el estudio de la obra y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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