{"id":111429,"date":"2018-03-11T10:37:56","date_gmt":"2018-03-11T10:37:56","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/eternal-guests-sliced-tongues-the-english-poems-of-cha%c2%b6gyam-trungda-tenzin-tsundue-and-tsering-wangmo-dhompa\/"},"modified":"2018-03-11T10:37:56","modified_gmt":"2018-03-11T10:37:56","slug":"eternal-guests-sliced-tongues-the-english-poems-of-cha%c2%b6gyam-trungda-tenzin-tsundue-and-tsering-wangmo-dhompa","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/eternal-guests-sliced-tongues-the-english-poems-of-cha%c2%b6gyam-trungda-tenzin-tsundue-and-tsering-wangmo-dhompa\/","title":{"rendered":"Eternal guests, sliced tongues: the english poems of ch\u00c1\u00b6gyam trungda, tenzin tsundue and tsering wangmo dhompa"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Enrique Galv\u00e1n \u00e1lvarez <\/strong><\/h2>\n<p>El objetivo de esta tesis es abandonar toda representaci\u00f3n de la cultura tibetana como un objeto est\u00e1tico que necesita ser preservado y protegido del cambio, del desarrollo o del hibridismo. Por tanto, me propongo analizar productos culturales que ya han sido expuestos al mestizaje y, por consiguiente, han experimentado m\u00faltiples cambios y desarrollos. Se trata de productos culturales que son de entrada h\u00edbridos. La poes\u00eda anglo-tibetana es quiz\u00e1s un buen ejemplo de c\u00f3mo la cultura tibetana ha cambiado en los \u00faltimos cien a\u00f1os y, de forma especialmente intensa, en los \u00faltimos cincuenta a\u00f1os. Al analizar la obra de tres poetas de origen tibetano que escriben en ingl\u00e9s, como son ch\u00ed\u00b6gyam trungpa rinpoch\u00e9, tenzin tsundue y tsering wangmo dhompa, podemos descubrir las muchas y originales maneras en las que la cultura tibetana se ha reformulado y se est\u00e1 reformulando. Adem\u00e1s, tales cambios no implican falta de compromiso con la tradici\u00f3n budista (trungpa),  con la causa tibetana (tsundue) ni tampoco excluyen la inherente nostalgia asociada a la experiencia del exilio (trungpa, tsundue, dhompa). As\u00ed pues, escribir en ingl\u00e9s no tiene por qu\u00e9 interpretarse como una traici\u00f3n a la tibetanidad, sino como una expresi\u00f3n de sus m\u00e1rgenes flexibles. Aunque la literatura anglo-tibetana comienza ahora a trascender los l\u00edmites de la comunidad de exiliados tibetanos, su historia precede a la del mismo exilio tibetano, al menos como se define convencionalmente<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Eternal guests, sliced tongues: the english poems of ch\u00c1\u00b6gyam trungda, tenzin tsundue and tsering wangmo dhompa<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Eternal guests, sliced tongues: the english poems of ch\u00c1\u00b6gyam trungda, tenzin tsundue and tsering wangmo dhompa <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Enrique Galv\u00e1n \u00e1lvarez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alcal\u00e1<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/10\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Santiago Fernandez Vazquez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda del perpetuo socorro Su\u00e1rez lafuente <\/li>\n<li>samuel Geoffrey (vocal)<\/li>\n<li>anastasia Valassopoulos (vocal)<\/li>\n<li>Juan  ignacio Oliva cruz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Enrique Galv\u00e1n \u00e1lvarez El objetivo de esta tesis es abandonar toda representaci\u00f3n de la cultura tibetana como [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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