{"id":111435,"date":"2018-03-11T10:37:56","date_gmt":"2018-03-11T10:37:56","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-topico-de-heraclito-y-democrito-en-el-criticon-de-baltasar-gracian\/"},"modified":"2018-03-11T10:37:56","modified_gmt":"2018-03-11T10:37:56","slug":"el-topico-de-heraclito-y-democrito-en-el-criticon-de-baltasar-gracian","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-topico-de-heraclito-y-democrito-en-el-criticon-de-baltasar-gracian\/","title":{"rendered":"El t\u00f3pico de her\u00e1clito y dem\u00f3crito en \u00abel critic\u00f3n\u00bb de baltasar graci\u00e1n"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Aurora Gonz\u00e1lez Rold\u00e1n <\/strong><\/h2>\n<p>Esta tesis doctoral aporta un an\u00e1lisis amplio del t\u00f3pico de her\u00e1clito y dem\u00f3crito en el conjunto de la obra de baltasar graci\u00e1n. Adem\u00e1s de interpretar sus apariciones puntuales en \u00abel critic\u00f3n\u00bb,  abordamos las relaciones que la mezcla jocoseria guarda con los g\u00e9neros y estilos que se acrisolan en este relato aleg\u00f3rico.       el an\u00e1lisis se extiende a la obra completa, con excepci\u00f3n del \u00abcomulgatorio\u00bb, aplicando m\u00e9todos filol\u00f3gicos y perspectivas filos\u00f3ficas e historiogr\u00e1ficas. Ofrecemos una nueva visi\u00f3n de los tratados del jesuita, desde \u00abel h\u00e9roe\u00bb hasta el \u00abor\u00e1culo manual\u00bb, que muestra la envergadura que en ellos alcanza la teor\u00eda graciana de lo risible y lo festivo.      aplicamos este nuevo enfoque al an\u00e1lisis de la mezcla jocoseria en \u00abel critic\u00f3n\u00bb, en diversos planos. Este se inserta en temas tan relevantes para las literaturas de la edad moderna como es el problema de las emociones en su relaci\u00f3n con el g\u00e9nero de las paradojas, el discurso \u00abde dignitas et miseria hominis\u00bb o las met\u00e1foras del \u00abtheatrum mundi\u00bb, adem\u00e1s de numerosos aspectos de la s\u00e1tira, que, como se sabe, es uno de los pilares en la estructura de \u00abel critic\u00f3n\u00bb, planteada en el \u00abcursus aetatis\u00bb.       la uni\u00f3n sat\u00edrica de risa y llanto se desarrolla por extenso en esta obra, en combinaci\u00f3n con la dimensi\u00f3n visual de la alegor\u00eda. Por ello destacamos las funciones m\u00e1s generales de personificaciones y emblemas en la din\u00e1mica sat\u00edrico-aleg\u00f3rica de sus \u00abcrisis\u00bb. Por \u00faltimo, mostramos la mezcla jocoseria en el plano estil\u00edstico, puesto que ya la \u00abagudeza y arte de ingenio\u00bb, y los tratados anteriores, evidenciaban una voluntad de estilo que hizo del \u00abacutum\u00bb -y por tanto tambi\u00e9n del \u00abridiculum\u00bb- un veh\u00edculo por excelencia de la filosof\u00eda moral.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El t\u00f3pico de her\u00e1clito y dem\u00f3crito en \u00abel critic\u00f3n\u00bb de baltasar graci\u00e1n<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El t\u00f3pico de her\u00e1clito y dem\u00f3crito en \u00abel critic\u00f3n\u00bb de baltasar graci\u00e1n <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Aurora Gonz\u00e1lez Rold\u00e1n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/10\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Aurora Egido Mart\u00ednez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: sebastian Neumeister <\/li>\n<li>guillermo Seres guillen (vocal)<\/li>\n<li>Antonio P\u00e9rez lasheras (vocal)<\/li>\n<li>sagrario L\u00f3pez poza (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Aurora Gonz\u00e1lez Rold\u00e1n Esta tesis doctoral aporta un an\u00e1lisis amplio del t\u00f3pico de her\u00e1clito y dem\u00f3crito en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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