{"id":11163,"date":"2001-07-06T00:00:00","date_gmt":"2001-07-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-femenina-en-artistas-mexicanas-contemporaneas-una-perspectiva-no-anodrocentrica\/"},"modified":"2001-07-06T00:00:00","modified_gmt":"2001-07-06T00:00:00","slug":"la-imagen-femenina-en-artistas-mexicanas-contemporaneas-una-perspectiva-no-anodrocentrica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-imagen-femenina-en-artistas-mexicanas-contemporaneas-una-perspectiva-no-anodrocentrica\/","title":{"rendered":"La imagen femenina en artistas mexicanas contemporaneas: una perspectiva no anodrocentrica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gladys Vilelgas Morales <\/strong><\/h2>\n<p>Trabajo de investigaci\u00f3n inserto dentro de los llamados estudio de g\u00e9nero, espec\u00edficamente dentro de la deconstrucic\u00f3n y construcci\u00f3n que se ha llevado a cabo en la ciencias sociales y particularmente en la historia del arte. lo que ha servido para resignificar a las mujeres art\u00edsticas, rescatar a muchas del olvido y revalorar sus aportaciones a la creaci\u00f3n pl\u00e1stica.  nuestro objeto de investigaci\u00f3n lo conforman un grupo importante de artistas mexicanas, que en la d\u00e9cada de los 80, conforman un movimiento art\u00edstico basado en el descubrimiento de tem\u00e1ticas \u00abfemeninas\u00bb o \u00abfemenistas\u00bb, que por un lado intenta romper con los mitos sobre la mujer imperante en nuestra sociedad y por otro, explora una imagen de la mujer desde esa voz del \u00abyo\u00bb que anteriormente no les estaba permitida.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen femenina en artistas mexicanas contemporaneas: una perspectiva no anodrocentrica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen femenina en artistas mexicanas contemporaneas: una perspectiva no anodrocentrica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gladys Vilelgas Morales <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/06\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> L\u00f3pez Fern\u00e1ndez M. Angeles<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pilar Aumente rivas <\/li>\n<li>virtudes Martinez vazquez (vocal)<\/li>\n<li>Manuel Hern\u00e1ndez belver (vocal)<\/li>\n<li>Juan  Luis Martin prada (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gladys Vilelgas Morales Trabajo de investigaci\u00f3n inserto dentro de los llamados estudio de g\u00e9nero, espec\u00edficamente dentro de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4510,104,1014,222,1111],"tags":[36688,36691,36689,35316,36690,35735],"class_list":["post-11163","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-estetica-de-las-bellas-artes","category-historia","category-historia-del-arte","category-historias-especializadas","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-gladys-vilelgas-morales","tag-juan-luis-martin-prada","tag-lopez-fernandez-m-angeles","tag-manuel-hernandez-belver","tag-pilar-aumente-rivas","tag-virtudes-Martinez-vazquez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=11163"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11163\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=11163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=11163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=11163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}