{"id":11166,"date":"2001-07-06T00:00:00","date_gmt":"2001-07-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/literatura-y-cine-el-discurso-narrativo-filmico\/"},"modified":"2001-07-06T00:00:00","modified_gmt":"2001-07-06T00:00:00","slug":"literatura-y-cine-el-discurso-narrativo-filmico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/literatura-y-cine-el-discurso-narrativo-filmico\/","title":{"rendered":"Literatura y cine. el discurso narrativo filmico"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Neira Pi\u00f1eiro M. Rosario <\/strong><\/h2>\n<p>Esta tesis doctoral pretende llevar a cabo un estudio comparativo de las estructuras narrativas en el relato filmico y literario, ci\u00f1endose al analisis de cuatro cuestiones fundamentales: el narrador, el espacio, el tiempo y el punto de vista. Para ello, se ha partido de los estudios de semiolog\u00eda cinematografica desarrollados a partir de los a\u00f1os sesenta, as\u00ed como de las bases teoricas asentadas por la narratolog\u00eda, tanto filmica como literaria. Para hcer esta investigaci\u00f3n se ha trabajado con un corpus de peliculas de diferente director y nacionalidad, entre las que se han seleccionado cuatro(el sur, los amantes del circulo polar, blade runner y broadway danny rose) para el analisis de las cuestiones citadas. Asi, se han podido estudiar las caracteristicas de la instancia narrativa y la confluencia de varios narradores en el film, la organizaci\u00f3n del espacio, la estructuraci\u00f3n de tiempo, la construccion de una temporalidad subjetiva y los mecanismos disponibles para la expresion del punto de vista. Al mismo tiempo, se ha podido verificar la validez, en el ambito cinematografico, de ciertos conceptos procedentes de la teoria literaria, que pueden resultar de utilidad para comprender la organizaci\u00f3n y funcionamiento del relato filmico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Literatura y cine. el discurso narrativo filmico<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Literatura y cine. el discurso narrativo filmico <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Neira Pi\u00f1eiro M. Rosario <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/06\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Magdalena Cueto Perez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Bobes naves Mar\u00eda  del carmen <\/li>\n<li>Juan  Miguel Company ramon (vocal)<\/li>\n<li>roman Gubern garriga-nogu\u00e9s (vocal)<\/li>\n<li> De la Madrid alvarez vidal (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Neira Pi\u00f1eiro M. Rosario Esta tesis doctoral pretende llevar a cabo un estudio comparativo de las estructuras [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,2965,8846,1111,628],"tags":[633,36704,12288,36702,36701,36703],"class_list":["post-11166","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-estilo-y-estetica-literarios","category-oviedo","category-teoria-analisis-y-critica-de-las-bellas-artes","category-teoria-analisis-y-critica-literarios","tag-bobes-naves-maria-del-carmen","tag-de-la-madrid-alvarez-vidal","tag-juan-miguel-company-ramon","tag-magdalena-cueto-perez","tag-neira-pineiro-m-rosario","tag-roman-gubern-garriga-nogues"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=11166"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11166\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=11166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=11166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=11166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}