{"id":112044,"date":"2018-03-11T10:38:49","date_gmt":"2018-03-11T10:38:49","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-poetica-de-lo-urbano-madrid-en-la-literatura-moderna\/"},"modified":"2018-03-11T10:38:49","modified_gmt":"2018-03-11T10:38:49","slug":"la-poetica-de-lo-urbano-madrid-en-la-literatura-moderna","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-poetica-de-lo-urbano-madrid-en-la-literatura-moderna\/","title":{"rendered":"La po\u00e9tica de lo urbano. Madrid en la literatura moderna."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Cristina Bercu <\/strong><\/h2>\n<p>Este trabajo pretende acercar al lector al espacio urbano de Madrid en uno de los momentos clave de su historia reciente, desde una perspectiva diferenciada, basada en un an\u00e1lisis interdisciplinario, que re\u00fane las novelas de tres autores contempor\u00e1ne os y un gui\u00f3n cinematogr\u00e1fico: el cielo de Madrid (julio llamazares), Madrid y Madrid ha muerto (luis antonio de villena) y d\u00edas contados (juan Madrid, imanol uribe). el estudio parte de la contextualizaci\u00f3n hist\u00f3rica, social y cultural de los a\u00f1os d e la transici\u00f3n espa\u00f1ola y se detiene en la configuraci\u00f3n de la ciudad postmoderna, escenario de la movida madrile\u00f1a, desde un planteamiento est\u00e9tico-\u00e9tico que proporciona un an\u00e1lisis textual sobre la ciudad-referente y su realidad objetiva y palpabl e, a la vez que coloca el espacio en una perspectiva antropol\u00f3gica, que re\u00fane la identidad, las relaciones y la historia. a trav\u00e9s de dicho an\u00e1lisis nuestra intenci\u00f3n es evidenciar la capacidad del espacio de convertirse en mediador entre el individu o y el chronos.  abordamos las m\u00faltiples funciones del espacio urbano e indagamos las posibilidades narrativas que nos ofrece la urbe, con lo cual se nos desvela una faceta distinta del Madrid de la movida en cada autor. De este modo, m\u00e1s que la repr esentaci\u00f3n de un Madrid arquitect\u00f3nico, f\u00edsico, encontramos una arquitectura vivencial de la ciudad, que hace que \u00e9sta se convierta en un espacio heterot\u00f3pico que da fe del estado mental subjetivo de su autor (obsesivo en juan Madrid, opresor y nost\u00e1 lgico en julio llamazares, l\u00fadico y transgresor en antonio de villena).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La po\u00e9tica de lo urbano. Madrid en la literatura moderna.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La po\u00e9tica de lo urbano. Madrid en la literatura moderna. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Cristina Bercu <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/12\/2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Eugenia Popeanga Chelaru<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: carmen Mej\u00eda ruiz <\/li>\n<li>mihai Moraru (vocal)<\/li>\n<li>jean pierre Castellani (vocal)<\/li>\n<li>mihaela doina Popa-liseanu vacar\u00fa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Cristina Bercu Este trabajo pretende acercar al lector al espacio urbano de Madrid en uno de los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,986],"tags":[52011,223069,6247,46676,201532,61086],"class_list":["post-112044","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-complutense-de-madrid","tag-carmen-mejia-ruiz","tag-cristina-bercu","tag-eugenia-popeanga-chelaru","tag-jean-pierre-castellani","tag-mihaela-doina-popa-liseanu-vacaru","tag-mihai-moraru"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/112044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=112044"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/112044\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=112044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=112044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=112044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}