{"id":112181,"date":"2012-10-01T00:00:00","date_gmt":"2012-10-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-petit-productor-de-cinema-el-cas-de-josep-maria-cunilles\/"},"modified":"2012-10-01T00:00:00","modified_gmt":"2012-10-01T00:00:00","slug":"el-petit-productor-de-cinema-el-cas-de-josep-maria-cunilles","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/produccion\/el-petit-productor-de-cinema-el-cas-de-josep-maria-cunilles\/","title":{"rendered":"El petit productor de cinema. el cas de josep maria cunill\u00e9s."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francesc Poch Sabarich <\/strong><\/h2>\n<p>El cine comercial independiente de bajo presupuesto, elaborado con los elementos industriales y art\u00edsticos del sector cinematogr\u00e1fico del propio pa\u00eds, es viable, sostenible y exportable. Este ha sido el caso de \u00abel lute\u00bb, \u00abcrimen en familia\u00bb y otras pel\u00edculas que josep maria cunill\u00e9s ha producido. Estudiar los mecanismos de financiaci\u00f3n, fabricaci\u00f3n y venta de este tipo de producci\u00f3n nos permitir\u00e1 extrapolarlo, generalizarlo y explicarlo a los actuales y futuros decisores audiovisuales.  en el caso de cunill\u00e9s, lo encontramos gestionando salas cinematogr\u00e1ficas, distribuyendo o coproduciendo pel\u00edculas, o implic\u00e1ndose en operaciones corporativas para mejorar las condiciones del sector.  ha sido necesario introducir el contexto hist\u00f3rico, bajo la etiqueta de \u00abcine de transici\u00f3n\u00bb, estudiar la persona y los or\u00edgenes tem\u00e1ticos para acabar construyendo un m\u00e9todo que el propio productor ha abandonado para dedicarse \u00fanicamente a la explotaci\u00f3n de sus derechos audiovisuales. Otros productores contin\u00faan utilizando este modelo con \u00e9xito, pero los par\u00e1metros han cambiado y cunill\u00e9s no quiere volver a navegar.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El petit productor de cinema. el cas de josep maria cunill\u00e9s.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El petit productor de cinema. el cas de josep maria cunill\u00e9s. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francesc Poch Sabarich <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pompeu fabra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/01\/2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jordi Pericot Canaleta<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: josep Gifreu pinsach <\/li>\n<li>esteve Riambau moller (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francesc Poch Sabarich El cine comercial independiente de bajo presupuesto, elaborado con los elementos industriales y art\u00edsticos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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