{"id":112293,"date":"2018-03-11T10:39:09","date_gmt":"2018-03-11T10:39:09","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-composiciones-cinematograficas-de-augusto-alguero-analisis-musical-y-estilo-compositivo\/"},"modified":"2018-03-11T10:39:09","modified_gmt":"2018-03-11T10:39:09","slug":"las-composiciones-cinematograficas-de-augusto-alguero-analisis-musical-y-estilo-compositivo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sociologia\/las-composiciones-cinematograficas-de-augusto-alguero-analisis-musical-y-estilo-compositivo\/","title":{"rendered":"Las composiciones cinematogr\u00e1ficas de augusto alguer\u00f3: an\u00e1lisis musical y estilo compositivo."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Sofia Lopez Hernandez <\/strong><\/h2>\n<p>El objetivo de esta tesis doctoral es el estudio de la faceta cinematogr\u00e1fica del compositor augusto alguer\u00f3 dasca. Todo el mundo lo conoce por sus canciones, pero el artista cuenta con un aspecto que pasa m\u00e1s desapercibido: el del s\u00e9ptimo arte. Pens amos que era necesaria una labor de rigurosa investigaci\u00f3n, que ayudara a descubrir sus dotes y aportaciones a la m\u00fasica incidental. al iniciar nuestra investigaci\u00f3n, nos topamos con un escollo imprevisible: la indeterminaci\u00f3n de la autor\u00eda de su obr a. Para poder estudiarla, primero hab\u00eda que saber lo que era suyo. El gran problema se presentaba por que exist\u00edan dos augusto alguer\u00f3: el padre y el hijo. Por lo tanto, se alz\u00f3 ante nuestros ojos un primer objetivo imperioso en esta l\u00ednea: determina r la autor\u00eda de la obra. Y despu\u00e9s un segundo objetivo, que consistir\u00eda en realizar un estudio desde el punto de vista musical-cinematogr\u00e1fico de toda su obra, para poder as\u00ed establecer unas conclusiones sobre su estilo compositivo.  la dificultad es tribaba tambi\u00e9n en que la filmograf\u00eda era muy amplia. Por ese motivo, determinamos acotar nuestro trabajo del siguiente modo: por una parte, hacer un estudio general de su filmograf\u00eda, con el visionado de todas sus pel\u00edculas, de las cu\u00e1les sacamos un as breves conclusiones de las caracter\u00edsticas musicales. Por otra parte, realizar un an\u00e1lisis extenso de cuatro bandas sonoras m\u00e1s o menos representativas seg\u00fan criterios precisos. De la consideraci\u00f3n de estas dos facetas del trabajo, llegamos a unas  interesantes consideraciones acerca de su metodolog\u00eda de trabajo y estilo compositivo, y sacado conclusiones sobre las aportaciones de nuestro compositor a la m\u00fasica incidental f\u00edlmica y su situaci\u00f3n referencial en el marco de las bandas sonoras esp a\u00f1olas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las composiciones cinematogr\u00e1ficas de augusto alguer\u00f3: an\u00e1lisis musical y estilo compositivo.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las composiciones cinematogr\u00e1ficas de augusto alguer\u00f3: an\u00e1lisis musical y estilo compositivo. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Sofia Lopez Hernandez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/01\/2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Matilde Mar\u00eda Olarte Mart\u00ednez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: emilio Casares rodicio <\/li>\n<li>Antonio S\u00e1nchez-escalonilla Garc\u00eda-rico (vocal)<\/li>\n<li>joaqu\u00edn L\u00f3pez gonz\u00e1lez (vocal)<\/li>\n<li>Antonio Mart\u00edn moreno (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Sofia Lopez Hernandez El objetivo de esta tesis doctoral es el estudio de la faceta cinematogr\u00e1fica del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[986,269],"tags":[12773,7491,7634,190608,38488,223470],"class_list":["post-112293","post","type-post","status-publish","format-standard","hentry","category-complutense-de-madrid","category-sociologia","tag-antonio-martin-moreno","tag-antonio-sanchez-escalonilla-garcia-rico","tag-emilio-casares-rodicio","tag-joaquin-lopez-gonzalez","tag-matilde-maria-olarte-Martinez","tag-sofia-lopez-hernandez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/112293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=112293"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/112293\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=112293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=112293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=112293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}