{"id":112721,"date":"2018-03-11T10:39:48","date_gmt":"2018-03-11T10:39:48","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/realidad-e-ilusion-locales-comerciales-espanoles-1950-1960\/"},"modified":"2018-03-11T10:39:48","modified_gmt":"2018-03-11T10:39:48","slug":"realidad-e-ilusion-locales-comerciales-espanoles-1950-1960","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/realidad-e-ilusion-locales-comerciales-espanoles-1950-1960\/","title":{"rendered":"Realidad e ilusi\u00f3n. locales comerciales espa\u00f1oles, 1950-1960"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jorge Losada Quintas <\/strong><\/h2>\n<p>Proclives al encuentro por situarse en una encrucijada disciplinar \u00c2\u00bfa medio camino entre arquitectura, decoraci\u00f3n y escenograf\u00eda\u00c2\u00bf los locales comerciales evidencian tempranamente las v\u00edas integradoras emprendidas por los arquitectos del periodo. Arte y t\u00e9cnica, expresi\u00f3n y raz\u00f3n o ambiente y funci\u00f3n son algunas de las parejas testadas en estos espacios expuestos al conflicto entre realidades, apariencias e ilusiones. A una historia marcada por el realismo como la espa\u00f1ola, el tipo comercial aporta el matiz de la ilusi\u00f3n, un ingrediente necesario para la superaci\u00f3n de los \u00c2\u00bfismos\u00c2\u00bf y para la ampliaci\u00f3n del instrumental disciplinar. Los locales comerciales aportan un \u00e1ngulo distinto, tambi\u00e9n complementario, a la historia de los a\u00f1os cincuenta.  el trabajo se divide en tres casos de estudio y un cuarto cap\u00edtulo panor\u00e1mico. En el primero se descubre un alejandro de la sota joven e in\u00e9dito \u00c2\u00bfatractivo en la medida en que se separa formalmente del sota m\u00e1s conocido e interesante en tanto avanza su base conceptual\u00c2\u00bf. El segundo cap\u00edtulo gravita en torno a la librer\u00eda del csic de miguel fisac, que marc\u00f3 un hito en su trayectoria y signific\u00f3 la llegada del influjo n\u00f3rdico. En el tercero se analiza la producci\u00f3n de rafael de la-hoz que, tras oscilar entre arte y t\u00e9cnica, acabar\u00eda enunciado la integraci\u00f3n como estrategia. En el \u00faltimo cap\u00edtulo se completa el dibujo de la d\u00e9cada con el an\u00e1lisis de los interiores de rafael aburto, manuel ja\u00e9n, luis blanco-soler, jos\u00e9 antonio corrales, javier carvajal, curro inza, jos\u00e9 mar\u00eda fargas y enric tous.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Realidad e ilusi\u00f3n. locales comerciales espa\u00f1oles, 1950-1960<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Realidad e ilusi\u00f3n. locales comerciales espa\u00f1oles, 1950-1960 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jorge Losada Quintas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/05\/2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Ignacio Bergera Serrano<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel \u00e1ngel Alonso del val <\/li>\n<li>Jos\u00e9 Manuel L\u00f3pez-pel\u00e1ez morales (vocal)<\/li>\n<li>ricardo S\u00e1nchez lampreave (vocal)<\/li>\n<li>Juan  Carlos Arnuncio pastor (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jorge Losada Quintas Proclives al encuentro por situarse en una encrucijada disciplinar \u00c2\u00bfa medio camino entre arquitectura, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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