{"id":112739,"date":"2018-03-11T10:39:53","date_gmt":"2018-03-11T10:39:53","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-descriptivo-de-el-espa%c2%adritu-de-la-colmena-va%c2%adctor-erice-1973\/"},"modified":"2018-03-11T10:39:53","modified_gmt":"2018-03-11T10:39:53","slug":"estudio-descriptivo-de-el-espa%c2%adritu-de-la-colmena-va%c2%adctor-erice-1973","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sociologia\/estudio-descriptivo-de-el-espa%c2%adritu-de-la-colmena-va%c2%adctor-erice-1973\/","title":{"rendered":"Estudio descriptivo de \u00abel esp\u00edritu de la colmena\u00bb (v\u00edctor erice, 1973)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Isabel Arquero Blanco <\/strong><\/h2>\n<p>T\u00edtulo: estudio descriptivo de \u00c2\u00bfel esp\u00edritu de la colmena\u00c2\u00bf (v\u00edctor erice, 1973) \tel estudio aborda la descripci\u00f3n minuciosa de las im\u00e1genes y los sonidos de el esp\u00edritu de la colmena. Atendiendo al montaje de la pel\u00edcula, se describen las escenas que  la componen, se extraen los planos y se enumeran en orden a su sintaxis. En la descripci\u00f3n se incluyen notas aclaratorias sobre los referentes y contextos, bien surgidas del gui\u00f3n publicado de la pel\u00edcula, bien procedentes del trabajo de documentaci \u00f3n paralelo que se ha realizado. \tposteriormente, se procede a identificar de forma conjunta los componentes cualitativos detectados en la descripci\u00f3n con el prop\u00f3sito de establecer las l\u00edneas o trazas creativas por donde discurre la obra.  \tel estud io constata que el proceso creativo seguido por el cineasta parte de la consideraci\u00f3n de la pel\u00edcula como una obra abierta a la participaci\u00f3n del espectador. A partir de la uni\u00f3n de series de unidades po\u00e9ticas o espacios emocionales, el espectador pa rticipa de un tiempo po\u00e9tico, sin orden ni fechas, como el que reaparece retenido en la memoria de los ni\u00f1os que fuimos. \tel esp\u00edritu de la colmena parte de una experiencia interior originada por la ficci\u00f3n cinematogr\u00e1fica. V\u00edctor erice encarna la fa bulaci\u00f3n en el personaje de ana, una ni\u00f1a de seis a\u00f1os que elabora sus sue\u00f1os a partir de una pel\u00edcula que ha visto en el cine de su pueblo durante la posguerra espa\u00f1ola. El cine se constituye as\u00ed en elemento esencial de la memoria del individuo y de l tiempo hist\u00f3rico, ya que lo imaginado pervive mejor al olvido que la realidad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio descriptivo de \u00abel esp\u00edritu de la colmena\u00bb (v\u00edctor erice, 1973)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio descriptivo de \u00abel esp\u00edritu de la colmena\u00bb (v\u00edctor erice, 1973) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Isabel Arquero Blanco <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 25\/05\/2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mercedes Miguel Borr\u00e1s<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Emilio Carlos Garcia fernandez <\/li>\n<li>Jos\u00e9 Luis Cano de gardoqui Garc\u00eda (vocal)<\/li>\n<li>Elena Medina de la vi\u00f1a (vocal)<\/li>\n<li>Rafael Gomez alonso (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Isabel Arquero Blanco T\u00edtulo: estudio descriptivo de \u00c2\u00bfel esp\u00edritu de la colmena\u00c2\u00bf (v\u00edctor erice, 1973) el estudio [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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