{"id":112826,"date":"2018-03-11T10:39:58","date_gmt":"2018-03-11T10:39:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/projecting-technology-systems-of-production-in-the-1950s-and-60s-spanish-architecture\/"},"modified":"2018-03-11T10:39:58","modified_gmt":"2018-03-11T10:39:58","slug":"projecting-technology-systems-of-production-in-the-1950s-and-60s-spanish-architecture","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/arquitectura\/projecting-technology-systems-of-production-in-the-1950s-and-60s-spanish-architecture\/","title":{"rendered":"Projecting technology. systems of production in the 1950s and 60s spanish architecture"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Clara Ol\u00f3riz Sanju\u00e1n <\/strong><\/h2>\n<p>Projecting technology.  systems of production in 1950s and 60s spanish architecture.  this thesis explores how technological conditions of mass-production and industrialisation reconfigured the practice of architecture and the architectural modes of thinking, transforming the methods of construction and affecting production processes. Through the critical analysis of industrialised methods of construction in spanish architecture of the 1950s and 60s and situating them within a broader conceptual\/historical framework, the investigation tackles the concepts of \u00c2\u00bfcomponent\u00c2\u00bf and production systems from a material, structural, formal and spatial perspective. Thus, it moves from the status of the architectural object and its process of fabrication to its perception; from the production of ideas to the reception of the production.   throughout the chapters, leoz\u00c2\u00bfs hele module deals with how the industrial component transforms architectural modes of design, leading towards the systematization of space and a re-definition of geometry. The horpresa system tackles how the production of the component encompassed a new materiality reflected in the catalogue, affecting production processes. Pi\u00f1ero\u00c2\u00bfs rods bundle reflects the construction of a notion of structure and form generation in the assembly of components. These structural and formal concepts trigger a topological reading of the urban form that is studied in entrev\u00edas, together with its ecological and environmental implications, in the reception, experience or interaction with the inhabitants.   \u00c2\u00bfprojecting technology\u00c2\u00bf constructs and expands the meaning of technology beyond reductive and isolated approaches. Therefore, in the relation between architecture and technology, it is not addressed as a methodology but as a form of knowledge, a form of design that informs the production of form, bringing it closer to its greek origin techne, as the agency in the production of art.   proyectando tecnolog\u00eda.  sistemas de producci\u00f3n en la arquitectura espa\u00f1ola de los 1950s and 60s.  esta tesis explora c\u00f3mo las condiciones de producci\u00f3n en serie e industrializaci\u00f3n reconfiguran la pr\u00e1ctica de la arquitectura y los modos de pensamiento arquitect\u00f3nicos, transformando los m\u00e9todos de construcci\u00f3n e influyendo en procesos de producci\u00f3n. A trav\u00e9s del an\u00e1lisis cr\u00edtico de los sistemas de construcci\u00f3n en la arquitectura espa\u00f1ola de los 1950s y 60s y situ\u00e1ndolos en un contexto hist\u00f3rico\/conceptual m\u00e1s amplio, la investigaci\u00f3n acomete las nociones de \u00c2\u00bfcomponente\u00c2\u00bf y \u00c2\u00bfsistemas productivos\u00c2\u00bf desde una perspectiva material, estructural, formal y espacial. De este modo, evoluciona desde el status del objeto arquitect\u00f3nico y sus procesos de fabricaci\u00f3n hacia su percepci\u00f3n; desde la producci\u00f3n de las ideas a la recepci\u00f3n de la producci\u00f3n.  a trav\u00e9s de los cap\u00edtulos, el modulo hele de leoz muestra c\u00f3mo el componente industrializado transforma los modos de dise\u00f1ar, conduciendo hacia la sistematizaci\u00f3n del espacio y a la redefinici\u00f3n del concepto de geometr\u00eda. El sistema horpresa refleja c\u00f3mo la producci\u00f3n del componente conduce a una nueva materialidad que se refleja en el cat\u00e1logo e influye en los procesos productivos. El haz de barras de pi\u00f1ero construye una noci\u00f3n de estructura y generaci\u00f3n de la forma desde el ensamblaje de componentes. Estos conceptos estructurales y formales desencadenan una lectura topol\u00f3gica de la forma urbana que se manifiesta en entrev\u00edas, junto con sus implicaciones formales y ambientales, en la recepci\u00f3n o interacci\u00f3n con sus habitantes.  \u00c2\u00bfproyectando tecnolog\u00eda\u00c2\u00bf construye y expande el significado de tecnolog\u00eda m\u00e1s all\u00e1 de actitudes reduccionistas e aisladas. As\u00ed, en la relaci\u00f3n entre arquitectura y tecnolog\u00eda, no se concibe como una metodolog\u00eda sino como una forma de conocimiento, una forma de dise\u00f1ar, que informa la producci\u00f3n de la forma, acerc\u00e1ndola a su origen griego techne, como la agencia del sujeto en la producci\u00f3n de arte.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Projecting technology. systems of production in the 1950s and 60s spanish architecture<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Projecting technology. systems of production in the 1950s and 60s spanish architecture <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Clara Ol\u00f3riz Sanju\u00e1n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/06\/2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carlos Javier Naya Villaverde<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel \u00e1ngel Alonso del val <\/li>\n<li>Carlos Labarta aizp\u00fan (vocal)<\/li>\n<li>laura Martinez de guere\u00f1u elorza (vocal)<\/li>\n<li>Francisco Manuel Gomes costa ferreira (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Clara Ol\u00f3riz Sanju\u00e1n Projecting technology. systems of production in 1950s and 60s spanish architecture. this thesis explores 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