{"id":112938,"date":"2012-03-07T00:00:00","date_gmt":"2012-03-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/edicion-cra%c2%adtica-estudio-y-notas-de-una-comedia-de-tirso-de-molina-la-elecccion-por-la-virtud\/"},"modified":"2012-03-07T00:00:00","modified_gmt":"2012-03-07T00:00:00","slug":"edicion-cra%c2%adtica-estudio-y-notas-de-una-comedia-de-tirso-de-molina-la-elecccion-por-la-virtud","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teatro\/edicion-cra%c2%adtica-estudio-y-notas-de-una-comedia-de-tirso-de-molina-la-elecccion-por-la-virtud\/","title":{"rendered":"Edici\u00f3n cr\u00edtica, estudio y notas de una comedia de tirso de molina: la eleccci\u00f3n por la virtud."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Galindo Abellan <\/strong><\/h2>\n<p>Desde su publicaci\u00f3n en la tercera parte de comedias del maestro tirso de molina, impresa en tortosa (1634), la elecci\u00f3n por la virtud ha llegado a nosotros a trav\u00e9s de seis ediciones posteriores, pero ninguna de ellas con edici\u00f3n cr\u00edtica. En esta tesis se catalogan errores y erratas que han ido transmiti\u00e9ndose de texto en texto, se ofrece un estudio pormenorizado de la comedia, se estudia su m\u00e9trica y se anotan aspectos ling\u00ed\u00bc\u00edsticos y culturales de cada escena, adem\u00e1s de estudiar la comedia de matos fragoso considerada un plagio de aquella: el hijo de la piedra . El objetivo de este trabajo es acercar el texto a la obra que sali\u00f3 de la pluma de tirso, y de la que no se conserva manuscrito, y situar la comedia en un lugar destacado en el conjunto de su obra. Adem\u00e1s se datan las fechas de escritura y representaciones de la comedia.  palabras clave: tirso, elecci\u00f3n, virtud, siglo xvii, teatro, sixto, fragoso, edici\u00f3n.  abstract  \tsince its first publication within tercera parte de comedias del maestro tirso de molina, printed in tortosa (1634), la elecci\u00f3n por la virtud has come down to us through six later editions, but a critical one was never made. In this thesis, all the mistakes and errors that have been passed on from text to text are catalogued, it provides a detailed study of this play, its metrics and the linguistic and cultural aspects of each scene are recorded; besides it is also studied the so considered a plagiarism matos fragoso&apos;s play: el hijo de la piedra. The aim of this essay is to bring the text to work from tirso&apos;s pen, and which is not preserved as manuscript, and put the comedy in a prominent place within the whole work of the poet. It also figures out the dates of writing and performances of play.  keywords: tirso, elecci\u00f3n, virtud, seventeenth century, play, sixto, fragoso, edition.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Edici\u00f3n cr\u00edtica, estudio y notas de una comedia de tirso de molina: la eleccci\u00f3n por la virtud.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Edici\u00f3n cr\u00edtica, estudio y notas de una comedia de tirso de molina: la eleccci\u00f3n por la virtud. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Galindo Abellan <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 03\/07\/2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Florit Dur\u00e1n<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco javier Diez de revenga torres <\/li>\n<li>eva Galar irurre (vocal)<\/li>\n<li>jaume Garau amengual (vocal)<\/li>\n<li>abraham Madro\u00f1al dur\u00e1n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Galindo Abellan Desde su publicaci\u00f3n en la tercera parte de comedias del maestro tirso de molina, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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