{"id":113151,"date":"2012-11-09T00:00:00","date_gmt":"2012-11-09T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-y-tecnologia-en-japon-videoarte-media-art-y-nuevos-formatos-para-la-practica-artistica\/"},"modified":"2012-11-09T00:00:00","modified_gmt":"2012-11-09T00:00:00","slug":"arte-y-tecnologia-en-japon-videoarte-media-art-y-nuevos-formatos-para-la-practica-artistica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pintura\/arte-y-tecnologia-en-japon-videoarte-media-art-y-nuevos-formatos-para-la-practica-artistica\/","title":{"rendered":"Arte y tecnolog\u00eda en japon. videoarte, media art y nuevos formatos para la practica artistica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> David Molinero <\/strong><\/h2>\n<p>.\u00c2\u00bfarte y tecnolog\u00eda en jap\u00f3n. Videoarte, media art y nuevos formatos para la pr\u00e1ctica art\u00edstica\u00c2\u00bf es un completo acercamiento al act actual japon\u00e9s. A grandes rasgos contiene:-\tan\u00e1lisis del arte y tecnolog\u00eda de jap\u00f3n, a trav\u00e9s de las pr\u00e1cticas; videoarte, media art, arte interactivo y device art.-\tDescripci\u00f3n de los nuevos soportes tecnol\u00f3gicos para la creaci\u00f3n art\u00edstica y su uso.-\tRelaci\u00f3n del arte tecnol\u00f3gico japon\u00e9s con el sistema del arte contempor\u00e1neo, la sociedad, el sistema educativo, las corporaciones, as\u00ed como el impacto de estos factores en el artista japon\u00e9s actual y su obra.-\tCentros e infraestructuras que en la actualidad operan en jap\u00f3n dedicados al arte y tecnolog\u00eda; bienales, trienales, galer\u00edas, museos, asociaciones y espacios alternativos y centros educativos privados y p\u00fablicos.-\tHistoria del videoarte japon\u00e9s desde la d\u00e9cada de 1960 hasta su absorci\u00f3n conceptual por lo t\u00e9rminos: media art y motion graphics.-\tHistoria del arte y tecnolog\u00eda de 1950 al 2000, detallando las obras m\u00e1s importantes.-\tAn\u00e1lisis de la terminolog\u00eda y su problem\u00e1tica.-\tEstudio de los formatos interactivos, inmersivos y expandidos.-\tArtistas y obras m\u00e1s importantes del media art y el device art.-\tAn\u00e1lisis de la idiosincrasia del arte en jap\u00f3n enfocado al desarrollo de dispositivos (device art).-\tImpacto de la colaboraci\u00f3n multidiscipinal y la incursi\u00f3n de cient\u00edficos e ingenieros en el arte japon\u00e9s.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte y tecnolog\u00eda en japon. videoarte, media art y nuevos formatos para la practica artistica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte y tecnolog\u00eda en japon. videoarte, media art y nuevos formatos para la practica artistica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 David Molinero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 11\/09\/2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Javier Urquijo Labrador<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 ramon Alcala mellado <\/li>\n<li>hiroshi Yoshioka &#8212; (vocal)<\/li>\n<li>laura Baigorri ballarin (vocal)<\/li>\n<li>josu Rekalde izaguirre (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de David Molinero .\u00c2\u00bfarte y tecnolog\u00eda en jap\u00f3n. Videoarte, media art y nuevos formatos para la pr\u00e1ctica art\u00edstica\u00c2\u00bf [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[12909,3806],"tags":[224822,224823,224824,148506,28148,118197],"class_list":["post-113151","post","type-post","status-publish","format-standard","hentry","category-pais-vasco-euskal-herriko-unibertsitatea","category-pintura","tag-david-molinero","tag-francisco-javier-urquijo-labrador","tag-hiroshi-yoshioka","tag-jose-ramon-alcala-mellado","tag-josu-rekalde-izaguirre","tag-laura-baigorri-ballarin"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/113151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=113151"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/113151\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=113151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=113151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=113151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}