{"id":113374,"date":"2018-03-11T10:40:46","date_gmt":"2018-03-11T10:40:46","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/mutaciones-de-la-forma-derivas-documentales-contemporaneas\/"},"modified":"2018-03-11T10:40:46","modified_gmt":"2018-03-11T10:40:46","slug":"mutaciones-de-la-forma-derivas-documentales-contemporaneas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cinematografia\/mutaciones-de-la-forma-derivas-documentales-contemporaneas\/","title":{"rendered":"Mutaciones de la forma. derivas documentales contempor\u00e1neas"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Vanesa Fernandez Guerra <\/strong><\/h2>\n<p>Ante el paisaje audiovisual contempor\u00e1neo en la que los g\u00e9neros se nutren unos de otros y las fronteras se difuminan, nos encontramos ante una b\u00fasqueda de renovadas formas y lenguajes para la imagen. Se pueden hallar ciertas obras enmarcadas dentro del documental, aportaciones experimentales y excepcionales, h\u00edbridas y heterog\u00e9neas, que encuentran nuevas formas y lenguajes, y que abren puertas a nuevos modos de entender las pr\u00e1ctias documentales de lol \u00faltimos tiempos. El objetivo primordial de est investigaci\u00f3n es realizar un trabajo de levantamiento cartogr\u00e1fico de un territorio de l\u00edmites imprecisos e inciertos, que requiere una especial receptividad para detectar los s\u00edntomas de afloramiento de una nueva sensibilidad y las formas que \u00e9ste puede adoptar.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Mutaciones de la forma. derivas documentales contempor\u00e1neas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Mutaciones de la forma. derivas documentales contempor\u00e1neas <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Vanesa Fernandez Guerra <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 31\/10\/2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Gabriel Villota Toyos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Antonio Mingolarra ibarzabal <\/li>\n<li>josep Mar\u00eda Catal? dom\u00e9nech (vocal)<\/li>\n<li>bego\u00f1a Gutierrez san Miguel (vocal)<\/li>\n<li>Jos\u00e9 Francisco Cerd\u00e1n los arcos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Vanesa Fernandez Guerra Ante el paisaje audiovisual contempor\u00e1neo en la que los g\u00e9neros se nutren unos de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[5547,12909],"tags":[76095,81112,194171,81113,43200,225169],"class_list":["post-113374","post","type-post","status-publish","format-standard","hentry","category-cinematografia","category-pais-vasco-euskal-herriko-unibertsitatea","tag-begona-gutierrez-san-miguel","tag-gabriel-villota-toyos","tag-jose-antonio-mingolarra-ibarzabal","tag-jose-francisco-cerdan-los-arcos","tag-josep-maria-catal-domenech","tag-vanesa-fernandez-guerra"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/113374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=113374"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/113374\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=113374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=113374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=113374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}