{"id":113464,"date":"2018-03-11T10:40:57","date_gmt":"2018-03-11T10:40:57","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-suplantacion-y-el-disfraz-en-las-comedias-de-billy-wilder\/"},"modified":"2018-03-11T10:40:57","modified_gmt":"2018-03-11T10:40:57","slug":"la-suplantacion-y-el-disfraz-en-las-comedias-de-billy-wilder","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-suplantacion-y-el-disfraz-en-las-comedias-de-billy-wilder\/","title":{"rendered":"La suplantacion y el disfraz en las comedias de billy wilder."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carlos Pujol Leiva <\/strong><\/h2>\n<p>Este trabajo de investigaci\u00f3n se basa en el an\u00e1lisis de las comedias de billy wilder como director y guionista, donde encontramos alg\u00fan tipo de suplantaci\u00f3n de personalidad o cambio de roles a trav\u00e9s de sus personajes, ya sea clave en la trama princi pal de la historia o para determinadas acciones secundarias. \tpara realizar nuestro estudio, aportamos la clasificaci\u00f3n de distintos tipos de suplantaci\u00f3n, desde el enmascaramiento de la propia personalidad, pasando por la suplantaci\u00f3n de identidad, hasta la invenci\u00f3n de nuevos personajes. \tadem\u00e1s de esta clasificaci\u00f3n, el an\u00e1lisis contin\u00faa con el uso o no del disfraz para la realizaci\u00f3n de esos cambios de roles, y el g\u00e9nero de los protagonistas de la suplantaci\u00f3n, ya sean masculinos, femeninos o de ambos sexos. \tel estudio de cada comedia se completa con el concepto de anagn\u00f3risis, si aparece o no despu\u00e9s de llevar a cabo los distintos tipos de suplantaci\u00f3n. En caso de su existencia, lo situaremos dentro de nuestro diagrama de acci\u00f3n, herr amienta metodol\u00f3gica propia creada para entender las estructuras internas de las historias cinematogr\u00e1ficas. \ttras la investigaci\u00f3n de sus comedias, explicamos el por qu\u00e9 del continuo uso de estos elementos por parte de billy wilder, en especial el d e la suplantaci\u00f3n y el disfraz. \tpero adem\u00e1s del an\u00e1lisis de sus comedias, situamos a billy wilder dentro de su contexto hist\u00f3rico en la comedia cinematogr\u00e1fica, mostrando las influencias que recibi\u00f3 por parte de otros directores para crear su propio  cine de este g\u00e9nero. Gracias al estudio de sus influencias previas y de sus coet\u00e1neos, conoceremos a su vez la historia del cine de comedia, a trav\u00e9s de un recorrido desde finales del siglo xix hasta los a\u00f1os ochenta del siglo xx.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La suplantacion y el disfraz en las comedias de billy wilder.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La suplantacion y el disfraz en las comedias de billy wilder. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carlos Pujol Leiva <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 28\/11\/2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Cristina Manzano Espinosa<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Garc\u00eda Garc\u00eda <\/li>\n<li>Jos\u00e9 Antonio Sanchez sanz (vocal)<\/li>\n<li>Rafael Gomez alonso (vocal)<\/li>\n<li>carmen Rodriguez fuentes (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carlos Pujol Leiva Este trabajo de investigaci\u00f3n se basa en el an\u00e1lisis de las comedias de billy [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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